choreography and dance paola bianchi
text and reading ivan fantini
music fabrizio modonese palumbo
canvas andrea chiesi
thanks to fferrarinirsm
residence SPAM!
production PinDoc
in collaboration with AGAR
with the support of Mibact and Regione Sicilia
ph. Katjuscia Fantini
I, human being of human race, am the stateless person, the exile, the being body without being…
Ivan Fantini animanimale _ apologia di un genere umano
The word animanimale is the contraction between
two italian words: anima (soul) and animale (animal).
d'animanimale _ action for body and voice originates from the
words and the images of animanimale _
apologia di un genere umano, a book by Ivan Fantini - writer and
Andrea Chiesi – painter, published by Barricate.
d'animanimale is a hybrid performance, a mix of narration and
contemporary dance, text and body, listening and sight, where Andrea Chiesi’s
canvas and Fabrizio Modonese Palumbo’s music are matters that indissolubly tie narration
and dance.
d'animanimale needs proximity, prefers a close sight, an intimate contact with the
viewer. A postural choreography, a full of power, focused on details, precise,
tiny choreography. The choreography develops inside the body, inside muscles and skeleton,
it’s a kind of anatomical dance and the viewer can chase a flux of tension and
at the same time can focus its attention on a small detail. Every spectator can
cause a personal dance of the viewer.
A movement of your eyes can discover a tiny part of the body or look at the
total; you can move your eyes on the lines of the body or look for the
distance.
The book animanimale _ apologia
di un genere umano by Ivan
Fantini and Andrea Chiesi generated some images that it was impossible to hold
back. Images became movement, that movement needed words and those words wanted
sound: d'animanimale _ action for body and voice was born in this way.
a relationship between word and body, text and movement, poetical word and choreography
ph. Enea Tomei
the book
the canvas
the performance
