tag:blogger.com,1999:blog-76899822277459559392024-03-18T21:13:41.944-07:00paola bianchipaola bianchiUnknownnoreply@blogger.comBlogger23125tag:blogger.com,1999:blog-7689982227745955939.post-17020364211648907382015-05-18T08:26:00.003-07:002022-04-11T05:23:57.507-07:00<div style="text-align: justify;"><div style="font-family: Helvetica; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: left;"><div style="text-align: justify;">Paola Bianchi belongs to a generation of authors of contemporary dance that is placed between the so-called "pioneers" of the eighties and the palingenetic exponents of the nineties. Probably for this reason, since the beginning, the absence of the renunciation of movement and the iconoclasm of the end of the Millennium coexist in her corporeity and in her research in an artistically relevant way.</div><div style="text-align: justify;">Involved in every medium offered by the contemporary art scene, she has never allowed herself to be trapped in the spirals of fashions and rhetoric, always strongly asserting the political value of the dancing body.</div><div style="text-align: justify;">After exploring muscular contradictions, which gave shape to the relationship between the desire to move and paralysis imposed by power, Paola Bianchi has made impediment her aesthetic signature, culminating in concrete images of more or less symbolic cages or cold anatomical tables, where she interrogates the positive, although sometimes painful, energy of life.</div><div style="text-align: justify;">Having left the limelights of theatre and dance festivals for a few years, she has recently returned with a positive project, which makes the encounter with others the nourishment of a necessary artistic energy. Unravelling among modular stage formats that extend the possibility of making the performance an experience, even before being a product to be consumed, Paola Bianchi today dances with a transparent body of powerful quality, the bearer of a luminous presence because it derives from a lucid perceptive awareness, capable of translating onto the scene the pertinent features of a new cognitive aesthetic and - to use a tense oxymoron - of a rational emotion.</div><div style="text-align: justify;"><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span>Alessandro Pontremoli</div></div></div><div style="text-align: center;"><br /></div>
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<div style="padding: 56.25% 0px 0px; position: relative;"><iframe allow="autoplay; fullscreen; picture-in-picture" allowfullscreen="" frameborder="0" src="https://player.vimeo.com/video/495201222?h=d39f316629&badge=0&autopause=0&player_id=0&app_id=58479" style="height: 100%; left: 0; position: absolute; top: 0; width: 100%;" title="the ELP project"></iframe></div><script src="https://player.vimeo.com/api/player.js"></script>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-1683154360279510142014-11-13T10:55:00.000-08:002018-02-07T05:47:12.629-08:002016<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>DECEMBER</b><br />8 december</span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">MAT Via del Ganfione 16/18 _ Viterbo</span></span>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><b><span style="font-family: inherit;">NOVEMBER</span></b></b><span style="font-family: inherit;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">from 12 to 18 november</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><b style="font-family: '"arial"', '"helvetica"', sans-serif;"><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/verbo-presente.html">VERBO PRESENTE</a></span></b></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">third period of residence</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">Santarcangelo dei Teatri</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">from 20 to 25 november</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b style="font-family: '"arial"', '"helvetica"', sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/verbo-presente.html"><span style="font-family: inherit;">VERBO PRESENTE</span></a></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">fourth period of residence</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Residenza</span><span style="font-family: inherit;"> </span><span style="text-align: justify;">Multidisciplinare Arte Transitiva – Stalker teatro Officine Caos</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="text-align: justify;">26 november </span></span><br /><b style="font-family: '"arial"', '"helvetica"', sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/verbo-presente.html"><span style="font-family: inherit;">VERBO PRESENTE</span></a></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">sharing<br />Stalker Teatro Officine Caos _ Torino</span></span><br />
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<b><span style="font-family: inherit;">OCTOBER</span></b></span></span></b></span></span></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"> </span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">1 october</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> </span><span style="font-family: inherit;">_ Roma</span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">14 october</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> _ Civita Castellana</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">15 october</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> _ Calcata</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">16 october</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> _ Trevigiano Romano</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">21 october</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> _ Tuscania</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">22 october</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> _ Bolsena</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="text-align: justify;"><b>SEPTEMBER</b></span></span>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">14 september</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;">private apartment </span><span style="font-family: inherit;">_ Cagliari</span></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif;">16 september</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">private apartment _ Cagliari</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">18 september</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">private apartment _ Cagliari</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">29 september</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> </span><span style="font-family: inherit;">_ Roma</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">30 september</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;"><a href="http://www.teatridivetro.it/" style="font-family: inherit;" target="_blank">festival TDV10</a> </span><span style="font-family: inherit;">_ Roma</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;">2016</span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><b style="color: #666666;">FEBRUARY</b><span style="color: #666666;"><b><br /></b>28 february</span><br style="color: #666666;" /><b style="font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br style="color: #666666;" /><span style="color: #666666;">Bookshop Il Catalogo _ Pesaro</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="color: #666666;"><br /></span><b style="color: #666666;">MARCH</b><span style="color: #666666;"><b><br /></b>18 march</span><br style="color: #666666;" /><b style="font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br style="color: #666666;" /><span style="color: #666666;">Residenza San Salvario _ Torino</span><br style="color: #666666;" /><span style="color: #666666;"><b><br /></b>19 march</span><br style="color: #666666;" /><b style="font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br style="color: #666666;" /><span style="color: #666666;">private apartment _ Torino</span><br style="color: #666666;" /><span style="color: #666666;"><br /></span><span style="color: #666666;">20 march</span><br style="color: #666666;" /><b style="font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br style="color: #666666;" /><span style="color: #666666;">Mulino VeroSound</span><span style="color: #666666;"> -</span><span style="color: #666666;"> Rivoli _ TO</span><br style="color: #666666;" /><span style="color: #666666;"><br /></span><span style="color: #666666;">21 march</span><br style="color: #666666;" /><b style="font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br style="color: #666666;" /><span style="color: #666666;">Scoop _ Torino</span><br style="color: #666666;" /><span style="color: #666666;"><br /></span><span style="color: #666666;">24 march</span><br style="color: #666666;" /><b style="color: #666666;"><a href="http://paolabianchi-en.blogspot.it/p/zero.html">ZERO</a></b><br style="color: #666666;" /><span style="color: #666666;">Festival Slavika</span><br style="color: #666666;" /><span style="color: #666666;">Cubo Teatro _ Torino</span><br style="color: #666666;" /><span style="color: #666666;"><b><br /></b><b><br /></b><b>APRIL</b></span><span style="color: #666666;"><b><br /></b>from 4 to 6 april</span><br style="color: #666666;" /><b style="color: #666666;"><a href="http://paolabianchi-en.blogspot.it/p/jaccuse.html" style="text-decoration: none;">J'ACCUSE</a></b><br style="color: #666666;" /><span style="color: #666666;">Teatro Cantiere Florida _ Firenze</span><br style="color: #666666;" /><span style="color: #666666;"><br /></span><span style="color: #666666;">6 april</span><br style="color: #666666;" /><b style="color: #666666;"><a href="http://paolabianchi-en.blogspot.it/p/zero.html" style="text-decoration: none;">ZERO</a></b><br style="color: #666666;" /><span style="color: #666666;">Teatro Cantiere Florida _ Firenze</span><br style="color: #666666;" /><span style="color: #666666;"><br /></span><span style="color: #666666;">15 april</span><br style="color: #666666;" /><span style="color: #666666;">PARAGGI KANTORIANI</span><br style="color: #666666;" /><span style="color: #666666;">a meeting with</span><br style="color: #666666;" /><span style="color: #666666;">Silvia Parlagreco, Laura Gemini, Paola Bianchi</span><br style="color: #666666;" /><span style="color: #666666;"><br /></span><span style="color: #666666;">16 april</span><br style="color: #666666;" /><b style="color: #666666;"><a href="http://paolabianchi-en.blogspot.it/p/zero.html" style="text-decoration: none;">ZERO</a></b><br style="color: #666666;" /><span style="color: #666666;">Teatro degli Atti _ Rimini</span><br style="color: #666666;" /><span style="color: #666666;"><br /></span><span style="color: #666666;">23 april</span><br style="color: #666666;" /><b style="font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br style="color: #666666;" /><span style="color: #666666;">private apartment</span><span style="color: #666666;"> _ Rimini</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br />24 april<br /><b style="color: black; font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br /><span style="font-family: inherit;">private apartment</span> _ San Giovanni in Marignano RN<br /><br /><br /><b>MAY</b><br />7 may<br /><b style="color: black; font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br />private apartment _ Sasso Marconi - BO</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span></div>
<div style="margin: 0px;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">8 may</span></span></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><b style="color: black; font-family: -webkit-standard;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b><br />circolo Ribalta _ Vignola - MO</span></span></span></div>
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<br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">10 may</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;">private apartment</span> _ San Clemente RN</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;"><br /></span><span style="font-family: inherit;">14 may </span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">talking about</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-it.blogspot.it/p/corpo-politico.html">CORPO POLITICO</a></span></b></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><a href="http://www.libreriailcatalogo.it/" target="_blank">Il Catalogo</a> bookshop _ Pesaro</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">28 may</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">ex macello _ Rimini</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">29 may</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">ex macello _ Rimini</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><br /></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><b>JUNE</b><span style="font-family: inherit;"><br /></span><span style="font-family: inherit;">12 june</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">Settima Fila _ Pesaro</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">25 june</span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><a href="http://www.mijicarchitects.com/" target="_blank">mijic architects</a> _ Rimini</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: inherit;"><b>JULY</b></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;">from 4 to 10 july</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b style="font-family: '"arial"', '"helvetica"', sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/verbo-presente.html"><span style="font-family: inherit;">VERBO PRESENTE</span></a></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">first period of residence</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Residenza</span><span style="font-family: inherit;"> </span><span style="text-align: justify;">Multidisciplinare Arte Transitiva – Stalker teatro Officine Caos</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">15 july </span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">talking about</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-it.blogspot.it/p/corpo-politico.html">CORPO POLITICO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">festival Popsophia _ Pesaro</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">16 july</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;">festival Popsophia </span><span style="font-family: inherit;">_ Pesaro</span></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">17 july</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">Arena delle balle di paglia _ Cotignola</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">from 25 to 31 july</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: inherit;"><b><a href="http://paolabianchi-en.blogspot.it/p/verbo-presente.html">VERBO PRESENTE</a></b></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;">second period of residence</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Residenza</span><span style="font-family: inherit;"> </span><span style="text-align: justify;">Multidisciplinare Arte Transitiva – Stalker teatro Officine Caos</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="text-align: justify;"><br /></span></span></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="text-align: justify;"><b>AUGUST</b></span></span></span></span></span>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="text-align: justify;"> </span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="text-align: justify;">20-25</span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="text-align: justify;"><b style="text-align: start;"><span style="font-family: inherit;"><a href="http://paolabianchi-en.blogspot.it/p/prove-di-abbandono.html">PROVE DI ABBANDONO</a></span></b></span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: inherit;"><span style="text-align: justify;"><span style="text-align: start;">La luna e i calanchi _ Aliano</span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
<div style="color: #666666;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
<div style="color: #666666;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
<div style="color: #666666;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
<div style="color: #666666;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-80630054980744571552014-08-25T10:36:00.000-07:002015-03-03T10:36:44.520-08:00OUTWITH<div style="font-family: Arial;">
by and with Paola Bianchi</div>
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thanks Ivan Fantini, Paolo Pollo Rodighiero</div>
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production FC@PIN.D’OC</div>
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in collaboration con AGAR</div>
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with the support of Mibact and Regione Sicilia</div>
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I dance on a map of sense that keeps out a linear logic; the spatial connections break because of breath inability of the action. Claustrophobic speaking OUTWITH is an anaerobic solo dance. Anatomically speaking it’s a toothless scream. An out of context. A partial view.</div>
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Utopian creation project UNTITLED _ without title | without rights</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-63200007394277179282014-02-24T13:53:00.000-08:002018-02-07T05:47:33.574-08:002015<div class="separator" style="clear: both; text-align: center;">
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<b>NOVEMBER</b><br />
<br />
3 - 8 november<br />
<a href="http://paolabianchi-en.blogspot.it/2015/02/jaccuse.html"><b>J'ACCUSE</b></a><br />
<a href="http://www.oedipus.it/newsletter/Settimana_Kantoriana_Programma.pdf" target="_blank">Settimana Kantoriana</a> _ Salerno<br />
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4 november<br />
<b><a href="http://paolabianchi-it.blogspot.it/p/progetto-di-danza-verbale-make-dance.html">NoBody</a></b><br />
<a href="http://helicotrema.blauerhase.com/" target="_blank">Helicotrema - Recorded Audio Festival</a><br />
Punta della Dogana _ Venezia<br />
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7 november<br />
<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a></b><br />
<a href="http://www.oedipus.it/newsletter/Settimana_Kantoriana_Programma.pdf" target="_blank">Settimana Kantoriana</a> _ Salerno<br />
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11 november<br />
<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a></b><br />
<a href="http://teatridivetro.it/" target="_blank">TDV9 festival</a> _ Roma<br />
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14 november<br />
<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a></b><br />
<a href="http://www.news.cricoteka.pl/paola-bianchi-zero/" target="_blank">Cricoteka</a> _ Krakow<br />
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<b>OCTOBER</b><br />
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9 - 10 october<br />
<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a></b><br />
première<br />
Teatro Verdi _ Milano<br />
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31 october<br />
<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a></b><br />
Teatro Laba _ Brescia<br />
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<b>SEPTEMBER</b><br />
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26 september<br />
<b><a href="http://paolabianchi-it.blogspot.it/p/progetto-di-danza-verbale-make-dance.html">NoBody</a></b><br />
<a href="http://helicotrema.blauerhase.com/" target="_blank">Helicotrema - Recorded Audio Festival</a><br />
Forte Marghera _ Venezia<br />
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29 september - 10 october<br />
<a href="http://paolabianchi-en.blogspot.it/2015/02/jaccuse.html"><b>J'ACCUSE</b></a><br />
Spazio Ostrakon _ Milano<br />
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<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a> </b>_ new performance<br />
5 - 11 september<br />
Santarcangelo Festival Internazionale del Teatro in Piazza<br />
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<br />
<b>AUGUST</b><br />
<b><br /></b>
<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a></b> _ new performance<br />
second residence<br />
24 - 31 august<br />
Teatro Florida _ Firenze<br />
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<b>JULY</b><br />
<b><br /></b>
<b><a href="http://paolabianchi-en.blogspot.it/2015/01/zero.html">ZERO</a> _</b> new performance<br />
first residence<br />
28 july - 4 august<br />
Santarcangelo Festival Internazionale del Teatro in Piazza<br />
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<b>MAY</b><br />
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30 31 may h 22.00<br />
<b><a href="http://paolabianchi-en.blogspot.it/2013/02/without.html">WITHOUT</a></b><br />
<a href="http://www.ipercorpo.cittadiebla.com/" target="_blank">Ipercorpo 2015</a> _ Forlì<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC3JthUJYB9_VmZ29WUiqe5pKT3VmiX8CjROHuxBvIJumSCvauaxawJNpYR1YEPpXU7HgtazmdhhUuaeoAQeX9hYgmSvHCPrADYvrbeLqLmKZo1QurK43dFPFwpgnD_gktB9mws8E8q7Fi/s1600/radioW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC3JthUJYB9_VmZ29WUiqe5pKT3VmiX8CjROHuxBvIJumSCvauaxawJNpYR1YEPpXU7HgtazmdhhUuaeoAQeX9hYgmSvHCPrADYvrbeLqLmKZo1QurK43dFPFwpgnD_gktB9mws8E8q7Fi/s1600/radioW.jpg" width="320" /></a></div>
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<b>APRIL</b><br />
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<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px; line-height: 18px;"></span><span style="color: #666666; font-family: "arial"; font-size: 13px; line-height: 18px;"><b><a href="http://paolabianchi-it.blogspot.it/p/tadeusz-kantor.html" style="color: #7f7f7f; text-decoration: none;">Tadeusz Kantor: il circo della vita tra memorie e fantocci</a></b></span><br />
<div style="color: #666666; font-family: Arial; font-size: 13px; line-height: 18px;">
<span style="color: black; font-family: "times"; font-size: small; line-height: normal;">5 radio-documentaries dedicated to Tadeusz Kantor</span></div>
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<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px; line-height: 18px;">2 april h 23.00 </span><b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Radio3 Suite <a href="http://www.radio3.rai.it/dl/portaleRadio/media/ContentItem-41753bca-cb2b-41d4-81c1-29c3433a7d92.html" style="color: #7f7f7f; text-decoration: none;" target="_blank">Il Teatro di Radio3</a></b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Tadeusz Kantor dal teatro clandestino al teatro happening</b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></b><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px; line-height: 18px;">9 april h 23.00 </span><b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Radio3 Suite <a href="http://www.radio3.rai.it/dl/portaleRadio/media/ContentItem-41753bca-cb2b-41d4-81c1-29c3433a7d92.html" style="color: #7f7f7f; text-decoration: none;" target="_blank">Il Teatro di Radio3</a></b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">La classe morta</b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></b><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px; line-height: 18px;">16 april h 23.00 </span><b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Radio3 Suite <a href="http://www.radio3.rai.it/dl/portaleRadio/media/ContentItem-41753bca-cb2b-41d4-81c1-29c3433a7d92.html" style="color: #7f7f7f; text-decoration: none;" target="_blank">Il Teatro di Radio3</a></b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Wielopole Wielopole</b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></b><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px; line-height: 18px;">23 april h 23.00 </span><b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Radio3 Suite <a href="http://www.radio3.rai.it/dl/portaleRadio/media/ContentItem-41753bca-cb2b-41d4-81c1-29c3433a7d92.html" style="color: #7f7f7f; text-decoration: none;" target="_blank">Il Teatro di Radio3</a></b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Crepino gli artisti</b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></b><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px; line-height: 18px;">30 april h 23.00 </span><b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Radio3 Suite <a href="http://www.radio3.rai.it/dl/portaleRadio/media/ContentItem-41753bca-cb2b-41d4-81c1-29c3433a7d92.html" style="color: #7f7f7f; text-decoration: none;" target="_blank">Il Teatro di Radio3</a></b><br />
<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">Qui non ci torno più - Oggi è il mio compleanno</b><br />
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<b style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></b></div>
<b>MARCH</b><br />
<span style="font-size: xx-small;"><br /></span>
7 march<br />
<b><a href="http://paolabianchi-it.blogspot.it/2014/05/outwith.html" target="_blank">OUTWITH</a></b><br />
<a href="http://www.kosmostheater.at/" target="_blank">KosmosTheater</a> _ Vienna<br />
<span style="font-size: xx-small;"><br /></span>
working on a radio broadcast<br />
<br />
22-29 marzo<br />
<a href="http://paolabianchi-en.blogspot.it/2013/05/nobody.html" target="_blank"><b>NoBody</b></a><br />
<b>Dance history _ some notes</b><br />
<a href="http://collettivocap.blogspot.it/" target="_blank">C_A_P 08</a><br />
<a href="http://collettivocap.blogspot.it/" target="_blank">PROVE SPAZIO</a><br />
Ala Moderna Museo della Città _ Rimini<br />
<span style="font-size: large;"><br /></span>
<b>FEBRUARY</b><br />
working on a radio broadcast<br />
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<b>JANUARY</b><br />
working on a radio broadcast</div>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-27369490935226741332013-08-26T15:17:00.000-07:002014-03-30T15:19:20.734-07:00WITHOUT PLACE<span style="font-family: Arial, Helvetica, sans-serif;">video</span><br />
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">choreography, dance, sound, video Paola Bianchi</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">production PianoBmovie 2013</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">WITHOUT PLACE is the short circuit between my computer and my mobile. It is a white shadow. It is the black around my body, while my body is sinking and floating, emerging and falling into the black screen. It is light and body, reflection in the black. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">There wasn’t any post-production elaboration of images.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipkVWfy560ueCzxD6k7DJn7_mq1Qn8xGjtyVAxXBxZVo4jN9ORUdrR3DuMeMFoUs8oeIvabDvxuqAVCTpydDs0UF_I7t0ssEOd7CVgImpRXwzAX7uTCNE0dK6cHsGRPJx8jxYZOQZCiGvJ/s3200/WITHOUT+PLACE+1LOW.JPEG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipkVWfy560ueCzxD6k7DJn7_mq1Qn8xGjtyVAxXBxZVo4jN9ORUdrR3DuMeMFoUs8oeIvabDvxuqAVCTpydDs0UF_I7t0ssEOd7CVgImpRXwzAX7uTCNE0dK6cHsGRPJx8jxYZOQZCiGvJ/s3200/WITHOUT+PLACE+1LOW.JPEG" height="235" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvhIS8rdEhXfuUdXigIi4u7R6LAwSTgGVTFWJbsrlrk-DltXOvevQuDYgDXOCZ5ghCXQ1UpjD7M61pmQZ75doxR7BIQK4vHRgOP0bUeSjIx_wP4Sjv_KL8T927qN0uqQYAK3PuoKzDMbte/s3200/WITHOUT+PLACE+2LOW.JPEG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvhIS8rdEhXfuUdXigIi4u7R6LAwSTgGVTFWJbsrlrk-DltXOvevQuDYgDXOCZ5ghCXQ1UpjD7M61pmQZ75doxR7BIQK4vHRgOP0bUeSjIx_wP4Sjv_KL8T927qN0uqQYAK3PuoKzDMbte/s3200/WITHOUT+PLACE+2LOW.JPEG" height="235" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq0uTAGmkgzTmtIssJnwEvNgzt9GsvWHHnVdL6OuDoELzWGFuotFrev7BTFYfigJZyz0kkX-tbhP6Xbcyq4fz-4qRz3czQexllSvvocj5Y64HjGzhspLLfcL8G0ZGBlP3XhsBpYaGaSEc5/s3200/WITHOUT+PLACE+3LOW.JPEG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq0uTAGmkgzTmtIssJnwEvNgzt9GsvWHHnVdL6OuDoELzWGFuotFrev7BTFYfigJZyz0kkX-tbhP6Xbcyq4fz-4qRz3czQexllSvvocj5Y64HjGzhspLLfcL8G0ZGBlP3XhsBpYaGaSEc5/s3200/WITHOUT+PLACE+3LOW.JPEG" height="235" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvc2towUjBf_EC0Uye_tGMNQlVxAU9KnbQrtoCv-QIB5AUKeM1usLWZHefXDTjRIqO4xI24Jfwm0D2ORc0tfO6018wZe3lu-mmjnI5pY-tX5gHyRwC6lJ-fg_l0PhWPZ26sa_V_6LkYFC9/s3200/WITHOUT+PLACE+4LOW.JPEG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvc2towUjBf_EC0Uye_tGMNQlVxAU9KnbQrtoCv-QIB5AUKeM1usLWZHefXDTjRIqO4xI24Jfwm0D2ORc0tfO6018wZe3lu-mmjnI5pY-tX5gHyRwC6lJ-fg_l0PhWPZ26sa_V_6LkYFC9/s3200/WITHOUT+PLACE+4LOW.JPEG" height="235" width="320" /></a></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-22580797005647185242013-08-06T08:35:00.000-07:002014-12-29T07:26:58.914-08:00NoBody<span style="font-family: inherit;">a speaking dance project</span><br />
<b><span style="font-family: inherit;">make the dance audible</span></b><br />
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<span style="font-family: inherit;"><span style="font-family: inherit;">choreography _ text _ recorded voice _ editing paola bianchi</span></span><br />
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<span style="font-family: inherit;">NoBody is a choreographic tale, a detailed and precise description of every smallest movement of a ten minutes solo dance specially created for this project. A dance performance without vision, its main core.</span></div>
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<span style="font-family: inherit;">AN INTERVIEW BY GIULIA MORUCCHIO _ RECORDED AUDIO FESTIVAL HELICOTREMA 2014</span></div>
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<b><span style="font-family: inherit;">Let’s start with a general question. Tell us about your artistic research.</span></b></div>
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<span style="font-family: inherit;">I am a choreographer and dancer. The body is my specific language, it is my tool, but it’s also the area of investigation, around which my research and my poetics of the body revolves. Everything that happens to us on a daily basis, even the smallest event, returns in our body: digested, metabolized, vomited, enters and leaves the body, leaving traces. </span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">The body is the map of the feelings, of our emotions, it is the writing of our lives. The body on the scene is therefore the subject of my search.</span></span></div>
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<span style="font-family: inherit;"><b style="font-family: inherit;">When and how did you start working with sound?</b></span></div>
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<span style="font-family: inherit;">I’ve been interested in sound for a very long time. I have always preferred recording sounds over taking photographs. Playing back an audio file recorded in the underground in Vienna or at Termini station in Rome, in a crowded beach or on top of a Mayan pyramid, brings me back to that place, more than an image could do. The image shows the vision of the place, but this allows you to be just the viewer, the external eye, excluded from the scene, out of it, my memory is confused and shaped on that image. The sound manages to recreate the situation, made you part of it, immerses you in that space once again. I collect sounds as notes of memory. I fix the images by relating them to sounds, and every time I listen to them t I immerse myself in the same emotional condition, in the same colors and temperature of the primary experience. </span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">To create a contemporary dance performance also means paying attention not only to what happens on the scene but also to the sound of the scene, its quality, its source, the position of the source. Sound, along with lights, space and action contributes to the sense of the work. The sound source, the direction from which the sound is emanated, the volume and the quality of the sound itself generate emotions and they contribute to assign moods where the action takes place. The same piece of music creates different emotions if it comes from a theatrical system or if it is sent by a single small source. The sound creates the substance, the thickness of the air, the texture of the place, the color of a space. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">For some years now I take care of the sounds of my work, recording them and manipulating them according to the scene - for the music, I rely to musicians instead.</span></span></div>
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<span style="font-family: inherit;"><b style="font-family: inherit;">Can you introduce NoBody, the highly detailed descriptive audio you will present at the festival? This work seems to have a very theatrical feature. What were the aspects that you wanted to investigate with this work?</b></span></div>
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<span style="font-family: inherit;">For a long time I’ve been wondering how to bring dance into the radio, not only as a critical analysis or as a summary description, but as a way to “see” the dance through the ear. </span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">As an assiduous listener of Radio 3 I have often felt the desire to listen to a danced radio drama. Just as it is possible to transmit a theatrical play why can’t you do the same with a dance show? Of course, dancing is vision, motion picture, is made of bodies, of actions, but also a theatrical performance, if only listened, loses part of its essence, it loses the power of bodies, their posture, their tension, their location in space. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">I then tried to return what I was missing: the vision of the scene. Removing the attempt to generate excitement through the interpretation and working on the cleanliness, the rigor, the pure description, I tried to cause the listeners to create their own emotional vision through a work of muscular imagination, by internalizing the movement. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">NoBody was born from the scene, from the theater. I created a quite simple choreographed piece, just a ten minutes lasting dance, I took a video of the performance and I started to describe every little detail, every movement. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">Then I asked some people – professional dancers and not – to perform the movements while I was reading them – I did not want to forget any details, nor skip any important step in the fulfillment of the action. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">In the end I recorded my voice, and I edited the sound materials: the final result was NoBody, a project of verbal dance, an attempt of transmission of the dance, a first step to bring the dance where it can not stand. The point of departure was Make the dance audible, the sentence that has accompanied the entire process of design and creation. The transmission of the dance without the vision is my goal.</span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-20301780862937622012013-04-02T07:25:00.000-07:002018-02-07T06:05:39.699-08:002014<b>NOVEMBER</b><br />
<b><br /></b>9 november<br />
<b>OUTWITH</b><br />
a performance by Paola Bianchi<br />
live music Fabio Barovero<br />
and<br />
book launch<br />
<b><a href="http://paolabianchi-it.blogspot.it/p/corpo-politico.html" target="_blank">CORPO POLITICO</a></b><br />
speeches Laura Gemini, Raimondo Guarino<br />
<b><a href="http://www.riccioneteatro.it/" target="_blank">#TTV22 Riccione TTV Festival</a></b><br />
<br />
<br />
<b>OCTOBER</b><br />
from 1 october to 5 november<br />
<b>X-Freunde</b> (rehearsals)<br />
<a href="http://kosmostheater.at/" target="_blank">KosmosTheater</a> _ Vienna<br />
<br />
<br />
<b>SEPTEMBER</b><br />
<b><span style="font-size: xx-small;"><br /></span></b>
from 1 to 17 september<br />
<b><a href="http://paolabianchi-en.blogspot.it/2013/05/untitled.html" target="_blank">WITHOUT TEACHING</a></b><br />
free workshop for 5 female dancers<br />
Festival <a href="http://www.teatridivetro.it/" target="_blank">TDV 8</a> _ <i>specie protetta</i><br />
carrozzerie n.o.t _ Roma<br />
<br />
19 september<br />
<b><a href="http://paolabianchi-en.blogspot.it/2013/05/untitled.html" target="_blank">WITH TITLE</a></b><br />
Festival <a href="http://www.teatridivetro.it/" target="_blank">TDV 8</a> _ <i>specie protetta</i><br />
carrozzerie n.o.t _ Roma<br />
<i>and</i><br />
book launch of <b><a href="http://paolabianchi-it.blogspot.it/p/corpo-politico.html" target="_blank">CORPO POLITICO</a></b><br />
a book by Paola Bianchi<br />
<br />
19 september<br />
<b><a href="http://paolabianchi-en.blogspot.it/2013/05/nobody.html" target="_blank">NoBody</a></b><br />
a speaking dance project<br />
Recorded Audio Festival <a href="http://helicotrema.blauerhase.com/program" target="_blank">HELICOTREMA</a><br />
Istituto dei Ciechi di Milano<br />
<br />
20 september<br />
<b><a href="http://paolabianchi-en.blogspot.it/2012/11/with.html" target="_blank">WITH</a></b><br />
Festival <a href="http://www.teatridivetro.it/" target="_blank">TDV 8</a> _ <i>specie protetta</i><br />
carrozzerie n.o.t _ Roma<br />
<br />
<br />
<b>JULY</b><br />
<span style="font-size: xx-small;"><br /></span>
4 july<br />
<b>WITHOUT BODY</b><br />
Teatro Astra _ Bellaria - RN<br />
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<b>APRIL</b></div>
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<span style="font-size: xx-small;"><br /></span></div>
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4 april h. 21<br />
<a href="http://paolabianchi-en.blogspot.it/2012/11/with.html"><b>WITH</b></a><br />
<a href="http://www.teatroermetenovelli.it/programma/-rassegna_danza/" target="_blank">Rassegna Tracce D Nuova Danza</a><br />
Teatro degli Atti _ Rimini<br />
<br />
6 april h. 18.30<br />
<b>SCOREFORFIVE</b><br />
<a href="https://www.facebook.com/pages/Rassegna-Incontemporanea/324917224284825?fref=ts" target="_blank">inCONTEMPORANEA</a> festival<br />
Palazzo Comunale _ Pistoia<br />
<br />
15, 16 april<br />
<b>Focus on modern and contemporary dance</b><br />
Università Carlo Bo _ Urbino<br />
Paola Bianchi meets students<br />
<br />
25, 26, 27 april<br />
<a href="http://collettivocap.blogspot.it/p/kairos.html" target="_blank"><b>KAIRÓS</b></a><br />
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<br />
<b>MARCH</b></div>
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<span style="font-size: xx-small;"><br /></span></div>
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7 march h. 21<br />
<a href="http://paolabianchi-en.blogspot.it/2012/11/with.html"><b>WITH</b></a><br />
within ISTANZE, a project by collettivo c_a_p<br />
<a href="http://www.teatrodiegofabbri.it/contemporaneo/" target="_blank">Teatro Diego Fabbri _ Forlì</a><br />
<br />
10 march h. 20,45<br />
<b>CONSTRUYO SOBRE EL OLVIDO</b><br />
<a href="http://www.pimoff.it/fabulamundi-playwriting-europe/?fb_action_ids=10203604994431753&fb_action_types=og.likes&fb_source=other_multiline&action_object_map={%2210203604994431753%22:353037398167950}&action_type_map={%2210203604994431753%22:%22og.likes%22}&action_ref_map=[]" target="_blank">Teatro PimOff</a> _ Milano<br />
within <a href="http://www.pav-it.eu/Fabulamundi_eng.html" target="_blank">FABULAMUNDI</a> - Playwriting Europe<br />
THE DANGEROUS OPPORTUNITY<br />
mise en espace Paola Bianchi<br />
text Claudia Faci<br />
<br />
11 march h. 14.00<br />
Accademia di belle arti di Brera _ Milano<br />
Paola Bianchi meets students<br />
<br />
28, 29, 30 march<br />
<a href="http://collettivocap.blogspot.it/p/kairos.html" target="_blank"><b>KAIRÓS</b></a><br />
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28 march - 6 april<br />
video projection of <b><a href="http://paolabianchi-en.blogspot.it/2013/08/without-place.html" target="_blank">WITHOUT PLACE</a></b> and <b>VISIONE IRRAZIONALE 3</b><br />
<a href="http://collettivocap.blogspot.it/" target="_blank">C_A_P 07 AREALATERALE</a><br />
<br />
<br />
<b>JANUARY</b></div>
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<span style="font-size: xx-small;"><br /></span></div>
24, 25, 26 january<br />
<a href="http://collettivocap.blogspot.it/p/kairos.html" target="_blank"><b>KAIRÓS</b></a><br />
A group of professional choreographers will periodically meet to discuss, to exchange practices, to work together without any productive duties. KAIRÓS is a project curated by <a href="http://collettivocap.blogspot.com/" target="_blank">[collettivo] c_a_p</a> and realized by <a href="http://santarcangelofestival.com/as13-14/en/" target="_blank">Santarcangelo •12 •13 •14 Festival Internazionale del Teatro in Piazza</a>. <br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-79698669860483105572013-02-13T03:29:00.000-08:002018-02-07T06:05:57.883-08:002013june 2 _ h 22.00<br />
<span style="color: #666666;"><b>SCOREFORFIVE</b></span><br />
<span style="color: #666666;"><b>toward <a href="http://paolabianchi-en.blogspot.it/2013/05/untitled.html" target="_blank">UNTITLED </a></b></span><br />
<a href="http://fackfestival.blogspot.it/" target="_blank">F.A.C.K.</a> > forum di arte e cultura kontemporanea<br />
Chiostro delle Palme _ CESENA <br />
<br />
may 25 _ h 18.00 - 20.00<br />
<span style="color: #666666;"><b>Quale uscita radicale?</b></span> > discussion with Ivan Fantini, Paola Bianchi, Nhandan Chirco, Branko Popovic<br />
<a href="http://fackfestival.blogspot.it/" target="_blank">F.A.C.K.</a> > forum di arte e cultura kontemporanea<br />
Ex Macello _ CESENA<br />
<br />
<a href="http://paolabianchi-en.blogspot.it/2013/02/without.html" target="_blank">WITHOUT</a><br />
april 29 <br />
FESTIVAL TEATRI DI VETRO<br />
FONDERIE DIGITALI<br />
via del Mandrione 103 _ Capannone 9 _ ROMA<br />
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april 25, 26, 27 <br />
<a href="http://paolabianchi-en.blogspot.it/2011/04/abstrial.html" target="_blank">ABSTRIAL</a> <br />
performance<br />
KosmosTheater _ WIEN<br />
<br />
april 12 _ h 15.00<br />
<a href="http://www.pensieridicartapesta.it/2013/03/04/programma-degli-incontri-sul-contemporaneo-tirocinio-w-i-p/" target="_blank">W.I.P. Work in Process</a><br />
La Scatola dell’Arte_ via dei Latini 28 _ Roma <br />
Paola Bianchi talks about her work with Cristina Righi, Elena Cervellati and Anna Lea Antolini<br />
for students of Università La Sapienza _ Roma<br />
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<span class="userContent">march </span><span class="userContent">25, 26 </span><br />
Università Carlo Bo _ Urbino<br />
Paola Bianchi meets students<br />
<br />
april 3 - 10 <br />
<a href="http://paolabianchi-en.blogspot.it/2011/04/abstrial.html" target="_blank">ABSTRIAL</a> <br />
THIRD REHEARSALS SESSION _ WIEN<br />
<br />
march 14 - 20 <br />
<a href="http://paolabianchi-en.blogspot.it/2011/04/abstrial.html" target="_blank">ABSTRIAL</a> <br />
SECOND REHEARSALS SESSION _ WIEN<br />
<br />
february 15 - 19 <br />
<a href="http://paolabianchi-en.blogspot.it/2011/04/abstrial.html" target="_blank">ABSTRIAL</a> <br />
FIRST REHEARSALS SESSION _ WIEN<br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-19366108833512579222013-01-02T13:52:00.000-08:002013-10-02T07:15:19.138-07:00UNTITLED<span style="font-size: large;">utopian creation project</span><br />
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<span style="color: #666666;"> <span style="color: #999999;">WITHOUT TITLE | WITHOUT RIGHTS</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGkjLIZJNqpBWayZU4AsDkbgPnRvPxX6nP9yUz6v7hRzbB-ixOAl9FBhXEzaqPv8z1esTT2UxRCyPjeoFaZOxLF68fd6roJeWVExO4vltUK3WK2Ebt04ugwtPlznqgUkY1bU3g3wokxleo/s1600/paola_bianchi2LOW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGkjLIZJNqpBWayZU4AsDkbgPnRvPxX6nP9yUz6v7hRzbB-ixOAl9FBhXEzaqPv8z1esTT2UxRCyPjeoFaZOxLF68fd6roJeWVExO4vltUK3WK2Ebt04ugwtPlznqgUkY1bU3g3wokxleo/s320/paola_bianchi2LOW.jpg" width="320" /></a></div>
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ph. Roberta Perrone<br />
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A choreographic research into literature. Five female characters of contemporary literature are on the one hand the cue to investigate into the impossibility of simultaneity of looking, on the other hand the occasion to look into the relationship between written word and action, between sense and movement, between tale and choreographic composition, between clear thinking and elusive tale.<br />
The five Italian novels are: Anatomia della ragazza zoo by Tenera Valse, La compagnia del corpo by Giorgio Falco, La vita accanto by Mariapia Veladiano, Volevo essere una farfalla by Michela Marzano and Sangue del suo sangue by Gaja Cenciarelli. <br />
UNTITLED is the amalgam of some actions with different titles and production methods - performances, workshops, video installations -: a sort of continuous and open work in progress.<br />
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UNTITLED foresees following steps:<br />
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<a href="http://paolabianchi-en.blogspot.it/2013/02/without.html"><span style="font-size: large;">WITHOUT</span></a><br />
<span style="color: #999999;">a solo quintet</span><br />
WITHOUT, a solo dance by and with Paola Bianchi, was performed for the first time on april 2013 at Teatri di Vetro Festival in Rome. WITHOUT arises from the study of five female characters out of five contemporary novels. WITHOUT is a performance created for five dancers but there’s only one dancer on stage. <br />
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<span style="font-size: large;">WITHOUT BODY</span><br />
<span style="color: #999999;">writing the score</span><br />
WITHOUT BODY is an experiment where audience has a very important place. During an open rehearsal of WITHOUT, I’ll ask audience to think about the performance and present their own thoughts to me: writing arises from body in action. The aim is to commit movements to written words, thoughts, questions. A research on verbalized kinaesthetic reactions. The external looking becomes the protagonist of the vision because it changes the inner perception. <br />
These products will be elaborated and will create a written document, one or more audio files and/or an installation. <br />
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<span style="font-size: large;">WITHIN</span><br />
<span style="color: #999999;">inside the body</span><br />
WITHIN _ inside the body: choreographic elaboration of writings. Texts produced during WITHOUT BODY will be a new written score to create a new choreography. Working on abstraction, the original concept (the study on the five characters that generated WITHOUT) will be cancelled to give place to a new sense. Inside the body again.<br />
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<span style="font-size: large;">WITHIN WITHOUT</span><br />
WITHIN will be a part of WITHOUT and together they’ll generate a new performance: WITHIN WITHOUT. <br />
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<span style="font-size: large;">WITHOUT TEACHING</span><br />
<span style="color: #999999;">workshop for professional dancers</span> <br />
WITHOUT TEACHING is a workshop addressed to professional female dancers to create the performance WITH TITLE, the achievement of utopia. WITHOUT TEACHING is a choreographic composition workshop; we’ll look into the relationship between written word and action, between sense and movement, between tale and choreographic composition, between clear thinking and elusive tale. <br />
Paola Bianchi will lead the workshop.<br />
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<span style="font-size: large;">WITH TITLE</span><br />
<span style="color: #999999;">utopia achievement</span><br />
WITH TITLE is the achievement of the utopia: five dancers on stage.<br />
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<a href="http://paolabianchi-en.blogspot.it/2012/11/with.html"><span style="font-size: large;">WITH</span></a><br />
<span style="color: #999999;">five choreographers for a plural project</span></div>
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<i>concept, space, sound processing</i> Paola Bianchi</div>
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<i>choreography and dance</i> Marina Giovannini, Paola Bianchi, Rhuena Bracci, Sara Simeoni, Valentina Buldrini</div>
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<i>light design</i> Paolo Pollo Rodighiero</div>
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<i>technician</i> Chiara Girolomini</div>
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<i>production</i> agar, collettivo c_a_p<br />
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WITH is composed by five dancing actions created by five choreographers/dancers: Marina Giovannini, Rhuena Bracci, Sara Simeoni, Valentina Buldrini and Paola Bianchi who chose the theme and consigned them some theoretical-practical indications.<br />
Every choreographer creates a dance expressly for a place, because the five actions will inhabit five different places inside one building (theatre or not). Like in WITHOUT, the space factor is the only possibility to decode WITH’s dramaturgy, through the research into the impossibility of simultaneity of looking.<br />
WITH is a plural work, a test act aimed at abandoning the single vision. <br />
Premiere > 7 march 2014, Teatro Diego Fabbri, Forlì<br />
Next > 4 april 2014, Teatro degli Atti, Rimini<br />
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<span style="font-size: large;">WITH PRACTICE</span><br />
<span style="color: #999999;">workshop</span><br />
WITH PRACTICE is focused on development of bodily consciousness, perception of your own body in the space, on core of movement. We’ll investigate our own body’s real possibilities also learning some sequences of movement broadcasted on our ipod. A research on connection between word and body, between vocal transmission and movement. WITH PRACTICE is addressed to any person who is interested in measuring him/herself with the expressivity of his/her body. WITH PRACTICE will be led by two or three choreographers of WITH.<br />
On 8 and 9 march 2014 Sara Simeoni, Valentina Buldrini and Paola Bianchi will lead it together for the first time at Forlì.<br />
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<span style="font-size: large;">WITHOUT PLACE</span><br />
<span style="color: #999999;">video</span><br />
WITHOUT PLACE is the short circuit between my computer and my mobile. It is a white shadow. It is the black around my body, while my body is sinking and floating, emerging and falling into the black screen. It is light and body, reflection in the black. <br />
There wasn’t any post-production elaboration of images.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZrhEmJcK8CKso2-ocqsEpMmUhqOFpPBxDxxTAzexsK0bG732x2UoqVBQMT1AiMum-dIOZkjC985iJkmd0u31BVwFGwbzZC2qdjfeE9TjzFcFYmUEGrzP2r4HmC36YxUj0GQU7T0TOMG-K/s1600/without+place.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZrhEmJcK8CKso2-ocqsEpMmUhqOFpPBxDxxTAzexsK0bG732x2UoqVBQMT1AiMum-dIOZkjC985iJkmd0u31BVwFGwbzZC2qdjfeE9TjzFcFYmUEGrzP2r4HmC36YxUj0GQU7T0TOMG-K/s320/without+place.jpg" width="320" /></a></div>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-73012072015860433012012-11-09T07:04:00.000-08:002013-12-27T07:25:59.407-08:00WITH<span style="color: #999999; font-size: large;">five choreographers for a plural project</span> <br />
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<i>concept, space, sound processing</i> Paola Bianchi<br />
<i>choreography and dance </i>Marina Giovannini, Rhuena Bracci, Sara Simeoni, Valentina Buldrini, Paola Bianchi<br />
<i>light design</i> Paolo Pollo Rodighiero<br />
<i>technician</i> Chiara Girolomini<br />
<i>production</i> agar, collettivo c_a_p<br />
<i>thanks to</i> spazio Genè5<br />
<br />
WITH is the second step of the utopian creation project UNTITLED _ without title | without rights. <br />
In the first step – WITHOUT – one female dancer incorporates five female characters of Italian contemporary literature; a performance created for five dancers, but she is alone on stage. A choreographic research into literature is one of UNTITLED’s cue and the five female figures become here the starting point of an additional reflection on relationship between written word and action, between sense and movement, between tale and choreographic composition, between clear thinking and elusive tale.<br />
WITH is composed by five dancing actions created by five choreographers/dancers: Marina Giovannini, Rhuena Bracci, Sara Simeoni, Valentina Buldrini and Paola Bianchi that chose the theme and consigned them some theoretical-practical indications.<br />
Every choreographer creates a dance expressly for a place, because the five actions will inhabit five different places inside one building (theatre or not). Like in WITHOUT, the space factor is the only possibility to decode WITH’s dramaturgy, through the research into the impossibility of simultaneity of looking.<br />
WITH is a plural work, a test act aimed at abandoning the single vision. Every dance lives its own moment.<br />
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<span style="font-size: small;"><span style="font-family: Arial;">Marina Giovannini > <a href="http://www.cab008.com/" target="_blank">cab008.com</a></span></span>
<span style="font-size: small;"><span style="font-family: Arial;"> </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial;">Rhuena Bracci > <a href="http://www.grupponanou.it/" target="_blank">grupponanou.it</a> </span></span>
<span style="font-size: small;"><span style="font-family: Arial;"> </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial;">Sara Simeoni > <a href="http://www.sarasimeoni.weebly.com/" target="_blank">sarasimeoni.weebly.com</a></span></span>
<span style="font-size: small;"><span style="font-family: Arial;"> </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial;">Valentina Buldrini > <a href="http://www.valentina-buldrini.blogspot.it/" target="_blank">valentina-buldrini.blogspot.it</a> </span></span>
<span style="font-size: small;"><span style="font-family: Arial;"> </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial;"><span style="font-size: xx-small;"> </span></span></span><br />
<div style="text-align: right;">
<span style="font-size: small;"><span style="font-family: Arial;">WITH > 7 march 2014 Teatro Diego Fabbri, Forlì</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial;">4 april 2014 Teatro degli Atti, Rimini </span></span></div>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-30678882307775114842012-11-05T03:43:00.000-08:002015-04-03T10:36:45.709-07:00WITHOUT<div class="MsoNormal" style="margin-left: 35.4pt;">
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</style> <span style="font-size: large;">a solo quintet </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">by and with Paola Bianchi<br />lighting Paolo Pollo Rodighiero<br />sound processing Paola Bianchi</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">photography Valentina Bianchi<br />thanks to Ivan Fantini, Stefano Murgia, Francesca Divano, Chiara Girolomini, Valentina Bianchi, </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Movimento Centrale,</span></span>
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<span style="font-family: Arial; font-size: 10.0pt; mso-ansi-language: IT; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: IT;">Santarcangelo •12 •13 •14 Festival Internazionale
del Teatro in Piazza</span><br />
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--</style><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">production FC@PIN.D'OC</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">in collaboration with AGAR</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">with the support of Mibact and Regione Sicilia</span></span><br />
<div style="color: #666666; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;">
<br /></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>The headlong stream is termed violent, but the river bed hemming it in is termed violent by no one.</i> Bertolt Brecht</span><span style="font-size: small;"> </span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiutDZVpa6cmfI2UYgEznKa2N0HHfx2BEQqOgtMIdtAvUsMHJYHZ_kFq7f5T_2a14RQBOMdlaFnN3c2_YA6n2N4fywt460RY_QOdLqLPMnIDfGMMCUCDHV3k6fH2QC9TmyhIS0XyM4hy9G3/s1600/ph.valentinabianchi-0507LOW.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiutDZVpa6cmfI2UYgEznKa2N0HHfx2BEQqOgtMIdtAvUsMHJYHZ_kFq7f5T_2a14RQBOMdlaFnN3c2_YA6n2N4fywt460RY_QOdLqLPMnIDfGMMCUCDHV3k6fH2QC9TmyhIS0XyM4hy9G3/s320/ph.valentinabianchi-0507LOW.jpg" height="213" width="320" /></a></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">To create WITHOUT – a score for five female dancers – I focused my research on an oxymoron: individual collectivity. The condition of forced isolation of the subject in action creates an unbalanced perception to its being part of a community in action. Five figures find the ultimate sense of their actions through a non-allowed condition: simultaneity. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">As a condition that is physically unreachable, but potentially realized through the eyes of the viewer, WITHOUT takes its place in utopia as opposed to ongoing dystopia. The extreme solitude of the subject is placed in a situation of fictitious communion, where each figure perceives the surroundings without experiencing any sense of company.</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">WITHOUT is a performance created for five dancers. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">I’m alone on stage. </span></span><br />
<div style="text-align: right;">
<br /></div>
</div>
<div style="text-align: right;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"> <i>NOTE *</i></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><i>The inception of WITHOUT was the urgency to create a performance for five female dancers, a choreography that could let me develop a complex relation in space. The impossibility to deal with a production with a lot of people on stage because of lack of funds, led me to create a choreography for five dancers and reduce the workforce to one person: me. On the one hand WITHOUT is a condemnation of difficulties connected to indigence of italian culture, on the other hand it concerns an isolation inside the collectivity or, better, an absent collectivity.<br />The choreography arises from the study of five female figures of contemporary literature, that I chose because of their peculiarities: normalities. The study started from their features/normalities to develop in a remote relation with one and others. The differentiation of figures and the use of space are very important. Two phases: the study of peculiar motion to every figure, and space-time structuring of every single action. The hopeless contemporaneity doesn’t have to permit cancellation of other figures and doesn’t have to forget position of every dancer in every moment. The dramaturgy concentrates on two different levels: to sketch out precise characteristics of every single figures, and to control the complex relation between the five figures. At the same time it cannot ignore the visual linearity of the performance. Every figure changes her role during the performance: from subject in action to memory object of the following figure and the preceding figure and, of course, of the audience. Perception without experience, individual collectivity. A paradox of oxymoron. <br /> * Excerpt from CORPO POLITICO by paola bianchi, Editoria & Spettacolo, autumn 2013</i></span><br />
<span style="font-size: small;"><br /></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">The dramaturgy of WITHOUT develops only on abscissa of space: time – because of lack of contemporaneity of five actions – cannot be a determinant element. The choreography develops like a horizontal line, a planimetry. There isn’t a <i>before</i> or an <i>after</i>; the five actions are linked up through a spatial connection. Lights and sounds have their own way, totally independent from the action. No sound and no change of light - except for darkness at the end – are connected to the dramaturgy. Action, sound and light go on three parallel and independent lines.</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;">WITHOUT is the first step of utopian creation project <a href="http://paolabianchi-en.blogspot.it/2013/05/untitled.html" target="_blank">UNTITLED</a> _ <span style="font-size: x-small;">WITHOUT TITLE | WITHOUT RIGHTS.</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span>
<br />
<div style="text-align: right;">
<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://paolabianchi-en.blogspot.it/p/press-review.html" target="_blank"><span style="font-size: small;">PRESS REVIEW</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvMAhAc1cgij3Y5G4CtMERgXqjqQhjBmfpDGLh4a3Ig06OyeEEFIX53zBtPORO6HuR9RUnLM47ekM-ROy7yCvoeyWscq0paUhSB0YUQlNnL6lbHbGK4atHhXEIa2vu49nqAoqZFUN0zhH9/s1600/ph.valentinabianchi-0536LOW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvMAhAc1cgij3Y5G4CtMERgXqjqQhjBmfpDGLh4a3Ig06OyeEEFIX53zBtPORO6HuR9RUnLM47ekM-ROy7yCvoeyWscq0paUhSB0YUQlNnL6lbHbGK4atHhXEIa2vu49nqAoqZFUN0zhH9/s320/ph.valentinabianchi-0536LOW.jpg" height="213" width="320" /></a></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-88609382101739713312012-01-03T13:23:00.002-08:002018-02-07T06:14:53.374-08:00201214 october h 18.30<br />
<a href="http://paolabianchi-en.blogspot.it/2011/08/duplica.html" target="_blank">DUPLICA </a><br />
<a href="http://www.sostapalmizi.it/invitodisosta2012_13.html" target="_blank">Invito di Sosta</a><br />
Teatro Mecenate _ Arezzo_ Italy<br />
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30 august h 20.30 _ h 23.00<br />
<a href="http://paolabianchi-en.blogspot.it/2010/10/adius-utopia.html" target="_blank"><b>adius utòpia</b></a><br />
<a href="http://www.malafesta.it/" target="_blank">Malafesta</a> Festival<br />
Santarcangelo di Romagna _ Rimini _ Italy <br />
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19 august h 21.00<br />
21 august h 22.00<br />
22 august h 20.30<br />
24 august h 21.00<br />
2 september h 22.00 <br />
<b>PFS#1</b><br />
a video by Paola Bianchi<br />
<a href="http://fackfestival.blogspot.it/" target="_blank">FACKfestival</a><br />
Cesena _ Italy <br />
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3 - 12 august h 21.00<br />
<b><a href="http://paolabianchi-en.blogspot.it/2011/08/duplica.html">DUPLICA</a></b><br />
<a href="http://www.dancebase.co.uk/" target="_blank">Dance Base - National Centre for Dance</a><br />
<a href="http://www.edfringe.com/" target="_blank">2012 Edinburgh Festival Fringe </a><br />
Scotland<br />
<br />
4 april h 15.00 - 17.00<br />
Università Carlo Bo _ Urbino_ Italy<br />
Paola Bianchi meets students <br />
<br />
18 march h 21.00<br />
<b><a href="http://paolabianchi-en.blogspot.com/2011/08/duplica.html">DUPLICA</a></b><br />
Teatro Novelli _ Rimini _ Italy<br />
<br />
22 january h.18.00<br />
<b><a href="http://paolabianchi-en.blogspot.com/2011/09/erbarme-dich.html">ERBARME DICH</a></b><br />
C_A_P 04 CoAZIONE<br />
OLTREMISURA 012<br />
Teatro Rosaspina _ Montescudo RN _ Italy<br />
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.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-45750707723299322232011-09-17T03:33:00.000-07:002012-09-17T03:39:46.769-07:00LO-FI<span style="font-size: large;">about the work</span><br />
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The notion of low definition mainly developed in the music field to show the possible combinations between precision and accident, between a written plan and a non-determined execution. The lo-fi concept is related to many dance approaches which recognized its creative potential. Lo-fi choreography is a place where highly defined projects are open to the unforeseen, to the here and now where action takes place, where particular attention is given to the unresolved.</div>
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In the performing arts field work is a term used to define either a phase or the final result of the creative process. It is related to what is presented to the audience, to what an artist decided to show. But work is also the whole process leading to a public presentation, it is what is behind, what is hidden – sometimes slightly mentioned in the performance programme, sometimes totally avoided.</div>
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Starting from the most common definition of work, which is “physical or mental effort or activity directed toward the production or accomplishment of something”, my intention is to show part of that effort by pointing out the process rather than the result, by questioning “production” mechanisms such as choreographic composition and dramaturgy.</div>
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The making of my performances always needs the precious support of people who deeply believe in my art. A moral support, as well as an intellectual contribution that leads and develops my ideas and actions, my being on stage; a kind of support that somehow becomes financial support as well. My work is supported by private citizens. LO-FI is a tribute to their presence, to their fundamental support, without which my shows would only be ideas.</div>
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LO-FI develops around two basic elements that need each other to exist: EXTERNAL SUPPORT and PRECARIOUS BALANCE.</div>
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an essential relationship</div>
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the first wouldn’t exist without the second, it wouldn’t make any sense</div>
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the second would be completely static without the first – it would probably end. deadlock</div>
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In LO-FI four supporters wil be on stage besides me, four figures that represent those who unfailingly support my art. I would like to involve people of different ages, since the group of people who usually supports me is quite varied. I’m not looking for actors or professional dancers. I’m looking for people who are aware of what the final result is, of what has to be shown. Each person should take care of a specific part of my body – my right arm, my left arm, my right leg, my left leg – while my bust and my head would be under my control. Each of the four presences will create a series of choreographic figures and patterns. They will drive my body towards a specific point, from where I will elaborate a solo starting from the concept of balance, which will be modified starting from the patterns created by the supporters. The sense of “instant lo-fi” will be constantly kept alive. Then, supporters will witness my actions and will be active part of them at the same time, through a continuous exchange which will be extended into the whole duration of the performance.</div>
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PHASES OF PRODUCTION</div>
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1.Creation of the choreography</div>
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In order to create my solo I would need to organize a few days workshop with volunteer supporters (four people at a time). The figures created on my manipulated body will become the starting point for the choreography based on the topic of “precarious balance”.</div>
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For this purpose, I’m looking for spaces willing to host the project and to follow the phases of its production.</div>
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2.LO-FI show</div>
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Each performance will need 3 to 5 days workshop with 4 volunteer supporters. During that period we will focus on perception and listening to their own body in order to manipulate mine. We will work on the different ways of being on stage during the show. Each performance will be different from the other. Supporters won’t have a fixed score and will be driven by their specific feelings to create new figures and choreographies.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-15360351923114388672011-08-23T07:41:00.000-07:002012-09-14T08:38:28.221-07:002011<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">9 november</span><br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<b><a href="http://paolabianchi-en.blogspot.com/2011/08/duplica.html"><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">DUPLICA</span></a></b><br />
<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">Crossroads 2011</span><br />
<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">The XVIII-th International Meeting of Live Arts <br />
Performances of the artists from Italy and Warsaw<br />
<a href="http://www.csw.art.pl/">The Centre for Contemporary Art Ujazdowski Castle</a>, Warsaw</span><br />
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">10 october</span><br />
<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><b><a href="http://paolabianchi-en.blogspot.com/2011/09/erbarme-dich.html">ERBARME DICH</a> </b>_ il secondo movimento</span><br />
<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">Short Formats, <a href="http://www.teatrocrt.it/">Teatro CRT</a>, Milano</span><br />
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">26 september - 12 october</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">rehearsals and premiere<span class="Apple-converted-space"> </span><b>DAS KLEINE ZIMMER AM ENDE DER TREPPE</b></span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">coreography Paola Bianchi</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">direction Barbara Klein</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.kosmostheater.at/">Kosmos Theater</a>, Vienna</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">24 september</span></div>
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<a href="http://paolabianchi-en.blogspot.com/2011/09/erbarme-dich.html"><b><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">ERBARME DICH</span></b></a><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"> _ il primo movimento</span><b><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><br />
</span></b></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.ipercorpo.cittadiebla.com/">Ipercorpo 2011</a><span class="Apple-converted-space"> </span>Premere sui confini, Forlì</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">27 august - 22 september</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">rehearsals<span class="Apple-converted-space"> </span><b>DAS KLEINE ZIMMER AM ENDE DER TREPPE</b></span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times; font-size: small; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">coreography</span></span><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"> Paola Bianchi</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">direction Barbara Klein</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.kosmostheater.at/">Kosmos Theater</a>, Vienna</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">24 june<br />
<a href="http://paolabianchi-en.blogspot.com/2011/08/duplica.html"><b>DUPLICA</b></a></span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.scarlattineteatro.it/">Il Giardino delle Esperidi 2011</a>, Monte di Brianza</span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">27 may<br />
<a href="http://paolabianchi-en.blogspot.com/2011/08/duplica.html"><b>DUPLICA</b></a> </span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.teatridivetro.it/">Teatri di Vetro 5</a><br />
Teatro Palladium, Roma<br />
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">6, 12, 13 14<span class="Apple-converted-space"> may</span></span><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><br />
<b>eMotion</b> </span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.lesechoir.com/">Le Séchoir</a>, Saint Leu – Réunion<span class="Apple-converted-space"> </span><br />
Leu Tempo Festival </span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">12 e 13 february</span><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><br />
<a href="http://paolabianchi-en.blogspot.com/2011/08/duplica.html"><b>DUPLICA</b></a></span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.pimoff.it/">PIMOFF</a>, Milano </span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;">13 february</span><span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><br />
<b>MASTERCLASS</b></span></div>
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<span style="color: #505050; font-family: Arial,Helvetica,Geneva,Swiss,SunSans-Regular; font-size: small;"><a href="http://www.pimoff.it/">PIMOFF</a>, Milano</span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-33025236144254215322011-08-23T07:16:00.001-07:002011-08-23T07:16:30.973-07:00paola bianchiUnknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-54341407936525457102011-08-23T07:12:00.007-07:002012-11-02T10:32:16.647-07:00DUPLICA<i>by and with</i> Paola Bianchi<br />
<i>lighting</i> Paolo Pollo Rodighiero, Chiara Girolomini<br />
<i>technician</i> Chiara Girolomini | Tommaso Checcucci<br />
<i>photography</i> Valentina Bianchi<br />
<i>production</i> Agar<br />
<i>in collaboration with</i> INCANTI/Controluce Teatro d'Ombre _ Torino, Istituzione musica teatro eventi _ Rimini, KosmosTheater _ Vienna,<br />
Teatro Comunale Rosaspina _ Montescudo, Teatro dei Cinquequattrini, Teatro A. Massari _ San Giovanni in M., L’attoscuro<br />
<i>thanks to</i> Teatro Comandini _ Cesena, Santarcangelo •12 •13 •14, Ivan Fantini, Francesca Divano, Roberto Giari, Fabrizio Albanesi, <br />
Rosa Mogliasso, Gabriella Bellorio<br />
<br />
<div style="text-align: justify;">
An autistic monologue in two parts. A mute dialogue, sometimes deaf, between the body and its image.<br />
The journey of a body, of its shadow, the trajectory of the dissolution of the shadow and the fall of the body into a naked, unveiled space; hanging in pure time which is taken away from temporality. A lonely body. Ensnared in the black. Doomed to a double glance. Monstrously reflected, perpetually searching for other than the self. <br />
I am the unveiled donkey that carries the weight of the inability caused by the excess of light.<br />
<br />
The inception of DUPLICA was a desire to experiment with the world of shadow and light by using the body, my own body. A sense of insecurity has been leading most of the process. I didn’t know neither where I would arrive nor what I would find. Contradictions alternated with failures and pressing questions about the meaning. I chose not to put up a fight against it, so uncertainty has become a crucial element of the choreography.<br />
The dramaturgy of the piece rose from the experiments I conducted on the relationship between light, the body and its shadow. A dramaturgy which is visually summarized by two parallel lines that will never touch each other, but need each other to exist – the outline of the figure and the one of its shadow, both inevitably killed by their separation.<br />
<br />
Black on black. <br />
The body’s consciousness stops its being “protaonist” in order to give way to the projection itself. Shadows need attention and extreme control. They imply a continuous giving where non-visible gestures take place according to the shape and cleanness of the shadow itself. The projection of the image becomes a place outside itself, attention oversteps the body and crashes in a flat, vertical space; three-dimensionality vanishes while the shadow relentlessly reveals.<br />
The choice of a black cloth - in contrast with the traditional white cloths used in shadow plays – gives the possibility to see both the shadow and the body at the same time, while creating a continuous dialogue between the “carnality” and the flattening, a dialogue that implies a double consciousness: the outer attention – represented by the shadow on the cloth - and the focus on ourselves – represented by the real body. I needed to experience this kind of double consciousness by refusing the extreme protection of the white.<br />
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<a href="http://paolabianchi-en.blogspot.it/p/press-review.html" target="_blank">PRESS REVIEW </a></div>
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="281" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/36974702?badge=0" webkitallowfullscreen="webkitallowfullscreen" width="500"></iframe> </div>
<div style="text-align: center;">
<a href="http://vimeo.com/36974702">DUPLICA</a> from <a href="http://vimeo.com/user10463258">paola bianchi</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-52882307398336222492011-08-23T06:48:00.003-07:002013-04-06T11:58:39.448-07:00UNO _ frottola contemporaneacontemporary humbug<br />
<br />
<i>by and with</i> Paola Bianchi<br />
<i>text</i> Giuseppe Genna – <i>extracted from</i> Italia De Profundis<br />
<i>translation</i> Francesca Divano<br />
<i>sound processing and voice</i> Paola Bianchi<br />
<i>music</i> Fabio Barovero <br />
<i>lighting design</i> Paolo Pollo Rodighiero<br />
<i>technician</i> Chiara Girolomini<br />
<i>photo</i> Valentina Bianchi<br />
<i>production</i> Agar<br />
<i>thanks to</i> Istituzione musica teatro eventi – Comune di Rimini,<br />
Valentina Buldrini, Città di Ebla, <a href="http://ivanfantini.blogspot.it/">Ivan Fantini</a>, KosmosTheater<br />
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<br />
UNO -one- is an act without words, without solution, without end, without game.<br />
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one is there: I have to do. one tries, sits down, disappears.<br />
one is feeling alive, one is disguised.<br />
one is looking for a way. one surrenders.<br />
one is speaking. one could decide not to answer.<br />
one could go away.<br />
one is unique and everyone.<br />
what face has “me”?<br />
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The main character of UNO is non-identity. Unable to change into something else, unable to take part in the action she’s doing, unable to take a snap decision. Atonal arrhythmia. Staying there without being there.</div>
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Hesitant, unfinished movements. Indecipherable sign.</div>
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In UNO there is desolation, announced disaster, errors after errors, the decline of our time, our land, “the beautiful country” Italy. There is the unperfected silence of our age.</div>
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The aesthetic illiteracy of meidinitali.</div>
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A recorded text, extracted from Italia De Profundis by Giuseppe Genna (one of the most interesting italian contemporary writers) helps in creating the desolation, the effort of staying.</div>
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Inside our virtual rooms we change identity and moods estimating the effect of screen spectators – a fragmented audience in single unities.</div>
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This decadent room is coloured with the necessarily useless tints of a fake life.</div>
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Here nothing happens.</div>
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And in this loneliness one is not even able to dance...</div>
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="375" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/37303874?badge=0" webkitallowfullscreen="webkitallowfullscreen" width="500"></iframe> </div>
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<a href="http://vimeo.com/37303874">UNO _ frottola contemporanea</a> from <a href="http://vimeo.com/user10463258">paola bianchi</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-40381073955306481292011-08-23T06:11:00.002-07:002013-04-06T11:58:11.273-07:00VISIONI IRRAZIONALI<div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">Come Conigli</span> - Like Rabbits</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i><span lang="EN-GB">concept and choreography</span></i><span lang="EN-GB"> </span>Paola Bianchi </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>original music</i> Fabio Barovero, Gionata Bettini</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>lighting design</i> Paolo Pollo Rodighiero</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>production</i> Agar</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>in collaboration with</i> Santarcangelo 07 International Festival of the Arts, Velvet Factory, Giardini Pensili, centrale FIES, Città di Ebla</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>thanks</i> Giacomo Sega, Leandro Lotti, Katjuscia Fantini, <a href="http://ivanfantini.blogspot.it/">Ivan Fantini</a></span></span><br />
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</style><span style="font-family: Arial,Helvetica,sans-serif;"> <span style="font-size: small;"><i><span lang="EN-GB">if number is order… and if everything is established by number, everything is order</span></i></span><span lang="EN-GB" style="font-size: small;">. Pythagoras</span></span> <br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b><span lang="EN-GB">Come Conigli</span></b></span><span lang="EN-GB" style="font-size: small;"> project is based on Fibonacci series (1 1 2 3 5 8 13 21 34 55 89 144 233 377 610 987 1597 2584 4181 6765…) and the golden section.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB" style="font-size: small;">Fibonacci series is a rapid progression toward the infinity, like a continuous and inexorable rise upward; the golden section’s process of growth is constantly similar to itself; the golden proportion proceeded from these two phenomenon is an irrational, unpronounceable, crazy and inebriating number. These characteristics fascinated and conquered me.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b><span lang="EN-GB">Come Conigli</span></b></span><span lang="EN-GB" style="font-size: small;"> will provide a lot of different public <i>visions</i> that will be used for the creation of a new performance. </span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB" style="font-size: small;">During a new creation it happens to have some “visions”. When I’m studying, thinking, sleeping some images come out. I write them and, when I work on dramaturgy, I use them. They become materials, images to be transformed during rehearsals. This time I’d like to present these “visions” in front of an audience. It’s quite as if I opened my notebook, but this time visible and realized.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB" style="font-size: small;">The <i>visions</i> – catalogued according to Fibonacci series – will be strictly connected to the places. The <i>visions</i> could be developed in various expressive languages (video installations, sound installations, performances with one, two or three dancers). The <i>visions</i> will be performed in unusual spaces, theatrical or not.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB" style="font-size: small;">The combination of the visions creates a place outside the place, obscene for its being outside the scene</span><span style="font-size: small;">.</span></span><br />
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="367" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/52548167?badge=0" webkitallowfullscreen="webkitallowfullscreen" width="500"></iframe> </div>
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<a href="http://vimeo.com/52548167">VISIONI IRRAZIONALI</a> from <a href="http://vimeo.com/user10463258">paola bianchi</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">1</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Matteo Garattoni, Valentina Bravetti</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">perfection/imperfection, precision/vagueness, order/ruin.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">1</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Matteo Garattoni</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">with the participation of 1 1 2 3 5 8 13 21 people</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Golden rectangle, organic flatting, homologation.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">The immovable, coagulated space, cut with precision becomes a closed space, visible in its every point. A constantly examined and controlled man, made with strengths tactics, acephalous - without head - without face - therefore Anonymous. A research about manipulated body.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Obscene– out of the scene – multitude.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">2</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Leonardo Diana</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Real motion/apparent motion. A Stillstand which is threshold between immobility and movement. Vitality of movable immobility. Distorted, diverted, deflected visual perception.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKiYG4zl_okJxZYYlqNEagIpPYsm98Lz_h33hSvZ5ITCZVCT9RR-4435NXq3cAOZfLSTeOY9_GFxMbmhcVf_HYsHVB1sVnfdxRihsRhmI6ajxL_IBXiRV3olI7zxDPI3ZUudSIT67ZLUM/s1600/visione2b.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKiYG4zl_okJxZYYlqNEagIpPYsm98Lz_h33hSvZ5ITCZVCT9RR-4435NXq3cAOZfLSTeOY9_GFxMbmhcVf_HYsHVB1sVnfdxRihsRhmI6ajxL_IBXiRV3olI7zxDPI3ZUudSIT67ZLUM/s320/visione2b.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: medium;"><span style="font-size: large;">3</span><span class="Apple-converted-space"> </span></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Matteo Garattoni</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Movement arranged in numerical order. Order in chaos. inner forces that carve, that compress the shapes - completed forces.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Human been, measure of everything, which symbol was explicated in Leonardo da Vinci’s Uomo Vitruviano lost his sense of being. The harmonic equilibrium is vanished.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">5</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Valentina Buldrini</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Inner forces decompose movement. Breakage, undoing. Impossibility to stay, here, now.</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">5, the number of Christ sores.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxohRQxuY2woBdUmuNZU8uZMLIt60p5R9DQGaCpfoOQQhrFCOcGzIluPLcXEXJpjkNQAPjd7tF0YL-Q8p7heD6gTOpSKgzO4s9Pr4SIz2TLUth3MVK6qnSq9uHdEytIVT2lkxYN6xsLlw/s1600/visione_irraz5.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxohRQxuY2woBdUmuNZU8uZMLIt60p5R9DQGaCpfoOQQhrFCOcGzIluPLcXEXJpjkNQAPjd7tF0YL-Q8p7heD6gTOpSKgzO4s9Pr4SIz2TLUth3MVK6qnSq9uHdEytIVT2lkxYN6xsLlw/s320/visione_irraz5.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWXvtWm6-_5uC2RHAiddkhgq3SG0wzo7X-qq8smV4iysKXQc6HbQ315KmrsM4b1Z5aw6RNzDnM4EqriCoE0fRj2qZqAGdM8BFXAFX1z6ZJ1s8NN3tyF5tP8FRzByIZq3o9xYw3-JV6kYA/s1600/visione5C_Martinez.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWXvtWm6-_5uC2RHAiddkhgq3SG0wzo7X-qq8smV4iysKXQc6HbQ315KmrsM4b1Z5aw6RNzDnM4EqriCoE0fRj2qZqAGdM8BFXAFX1z6ZJ1s8NN3tyF5tP8FRzByIZq3o9xYw3-JV6kYA/s320/visione5C_Martinez.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="213" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">8<span class="Apple-converted-space"> </span></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Alessandro Bedosti</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Permanent, omnipresent surveillance. Videosurveillance – asymmetric sight system.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">To catalogue, to classify, to file the actions. We are neither actors nor spectators, we are living in a “Panopticon” machine. Loneliness is the first condition for submission.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpDjgttZJiBT2V5Ts5eFacubU7iyBBIakVLoLxF-zYmGSvRA5avTSNzVz6ew_SImLGpuws4CEpwFn7MDK-_a-FX-tugQZV51B0qKe2IMZ3yS0qQKd8jwXXJAE3McBtjtbapzD_eN03_As/s1600/visione8_a.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpDjgttZJiBT2V5Ts5eFacubU7iyBBIakVLoLxF-zYmGSvRA5avTSNzVz6ew_SImLGpuws4CEpwFn7MDK-_a-FX-tugQZV51B0qKe2IMZ3yS0qQKd8jwXXJAE3McBtjtbapzD_eN03_As/s320/visione8_a.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieuBgUfUF6-zKShMZKK1qHGRyxflE4R6p4dZUY5pKAEwDepCS3bls6uX49aN2HNVXL2hhha-REgT7dabxsxo6DsHs4KwHHQKYxFQJyvEpu-Ykw9HnOp5HltpfgMfy6scQJFLlyYczqTJ8/s1600/visione8_b.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieuBgUfUF6-zKShMZKK1qHGRyxflE4R6p4dZUY5pKAEwDepCS3bls6uX49aN2HNVXL2hhha-REgT7dabxsxo6DsHs4KwHHQKYxFQJyvEpu-Ykw9HnOp5HltpfgMfy6scQJFLlyYczqTJ8/s320/visione8_b.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">13</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Valentina Bravetti</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Caducity, static fall. Fallen angel.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimAnRPbe20xfyswTrS0NWyRkzNoCMzmNteiWL4efe8O_tsXeylkzjEJ6Rj_BDh8gvFR6yLYEhCbkVpX1aGk_C7qnwDFdyyMvDmByBppTsbuq73bdY2I43Yijm52Do3Nnm1aCQxWR0qpTs/s1600/visione13_a.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimAnRPbe20xfyswTrS0NWyRkzNoCMzmNteiWL4efe8O_tsXeylkzjEJ6Rj_BDh8gvFR6yLYEhCbkVpX1aGk_C7qnwDFdyyMvDmByBppTsbuq73bdY2I43Yijm52Do3Nnm1aCQxWR0qpTs/s320/visione13_a.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj6LU8or55N6seXg2LApA7ovSdEAQ5H1nfSkg2Gsds6SoAjPxwE4lXL8cE2OMEH65NW5PFxP_XoAhJXEn_Smv_FMa6s88FsgXCl8dfXOayhhDFUWbYuqsJYTR_t_rY7q4Zky5jDFAboew/s1600/visione13_b.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj6LU8or55N6seXg2LApA7ovSdEAQ5H1nfSkg2Gsds6SoAjPxwE4lXL8cE2OMEH65NW5PFxP_XoAhJXEn_Smv_FMa6s88FsgXCl8dfXOayhhDFUWbYuqsJYTR_t_rY7q4Zky5jDFAboew/s320/visione13_b.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="213" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDj8XgUAhzduZKYfA9g8VHR_e2wBY6NEx86mboKjIMx6wYK1pg83PBQrT-oWqAeN0KiAuyUlBBihXffWjEfSj42zyxCLuQ88zPE5wvMrsRJrN46hAMTlkIQLGZ4Pl7tXvrfbyZ_7uqQtA/s1600/visione13_c.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDj8XgUAhzduZKYfA9g8VHR_e2wBY6NEx86mboKjIMx6wYK1pg83PBQrT-oWqAeN0KiAuyUlBBihXffWjEfSj42zyxCLuQ88zPE5wvMrsRJrN46hAMTlkIQLGZ4Pl7tXvrfbyZ_7uqQtA/s320/visione13_c.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">21</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Elisa Depentor/Giulia Di Giannatale</span><span class="Apple-converted-space" style="font-size: small;"> </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Innocent perfection</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEjPukfyuqWqFp5gFwJP86oqGLihg4TsoLcunzpyfFbVq_1lmMUILONHT-8ke913X2UZn6xGdcPiPERmLaXELxzNv0CPXLldCMhTTIrbzrsG7IkRcctEJ7uuf7SNdSkHE7qLTIJMu-JnA/s1600/visione21.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEjPukfyuqWqFp5gFwJP86oqGLihg4TsoLcunzpyfFbVq_1lmMUILONHT-8ke913X2UZn6xGdcPiPERmLaXELxzNv0CPXLldCMhTTIrbzrsG7IkRcctEJ7uuf7SNdSkHE7qLTIJMu-JnA/s320/visione21.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmAd1yAb45SYF3JI3H9Qpjbv9Ptydl9nkW-9ChGOforDuXREmdnkzR6-VyxLrXNwyk5VQq9QB3gNOtVV5viAJuP6GUGOHZT9ssMUJ9Gc_Rc5GwQtKeKskkentn2KfcfXkIuoTqLpfTJaY/s1600/visione21a.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmAd1yAb45SYF3JI3H9Qpjbv9Ptydl9nkW-9ChGOforDuXREmdnkzR6-VyxLrXNwyk5VQq9QB3gNOtVV5viAJuP6GUGOHZT9ssMUJ9Gc_Rc5GwQtKeKskkentn2KfcfXkIuoTqLpfTJaY/s320/visione21a.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">34</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Valentina Bravetti</span></span><br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Aware imperfection. Inner forces that they tear to pieces, that bite like dogs, that crumble the shapes.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHYUgz7nIyM71btjshYBAnLGWqnCU2di3JFSvsrj6e0cEqzTARY7mqFMKDsc_mzGOxFzvNjRDsM4je2jhulCHi6v_0lTScFpD4t6yhzv1XmJvAvGqajAs2QSBHpB794QOgYJHV0LJYpQ/s1600/visione34.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHYUgz7nIyM71btjshYBAnLGWqnCU2di3JFSvsrj6e0cEqzTARY7mqFMKDsc_mzGOxFzvNjRDsM4je2jhulCHi6v_0lTScFpD4t6yhzv1XmJvAvGqajAs2QSBHpB794QOgYJHV0LJYpQ/s320/visione34.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="240" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">55</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Alessandro Bedosti</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">dePEAUsition</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">iconic preparation to de-flight</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAH2kVLe8by2pH4Adqzypo6n6kICbX_46LKJxLBrX2QMlf38DrHgRUlMXpfsuIvNmOSsxWroKEwuyNOfqevzh6j8F4oiQaGQt3Ofh80YXl2GmfxZsretPbNWAOaALbPjdDwnIMd5RL7DY/s1600/visione_irraz55.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAH2kVLe8by2pH4Adqzypo6n6kICbX_46LKJxLBrX2QMlf38DrHgRUlMXpfsuIvNmOSsxWroKEwuyNOfqevzh6j8F4oiQaGQt3Ofh80YXl2GmfxZsretPbNWAOaALbPjdDwnIMd5RL7DY/s320/visione_irraz55.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqyntTM_7cuVwJCqlQVdCGJFP9nCbPcCv7p2ALzNN1morN8VJo0vGDo9DqmBV2fdbb3Y9KUh2qcowgU-R_Lj1qwBNWxczqV8SpLW5JYJ8a6bW9J8wzcdvGVsF2ry2AzO4mYIzxWE1Wopk/s1600/visione55c.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqyntTM_7cuVwJCqlQVdCGJFP9nCbPcCv7p2ALzNN1morN8VJo0vGDo9DqmBV2fdbb3Y9KUh2qcowgU-R_Lj1qwBNWxczqV8SpLW5JYJ8a6bW9J8wzcdvGVsF2ry2AzO4mYIzxWE1Wopk/s320/visione55c.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">89</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Alessandro Bedosti</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">exPEAUsition</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">athletic preparation in possible/impossible liberation from the matter.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmrtYeOQSzio_B7gkgVG8Lre2gzFDPS1KFroZJIieSFuVoEgF1qokNzlikAIOtaZI0Z1U_SBtuvXAD55MaVPXBhyUdGmf2i_5_mqPmDOCfTh7lSqChZnmDzG6Kd6n1DcKSZoZjVTeyPFI/s1600/visione_irrazionale.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmrtYeOQSzio_B7gkgVG8Lre2gzFDPS1KFroZJIieSFuVoEgF1qokNzlikAIOtaZI0Z1U_SBtuvXAD55MaVPXBhyUdGmf2i_5_mqPmDOCfTh7lSqChZnmDzG6Kd6n1DcKSZoZjVTeyPFI/s320/visione_irrazionale.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRE5VM4ogyr2Es19Iqmqp0uE7BaXWtbipuyNpfabR9q-nxb4qTLst9mhvd8sN6YMcT3X2bJ-FyqFmJsFZrRPGtRp1hRUTl7CFTqyZ3kKKpccKv4T7x8MIgq3WFegHltXdZZEn2OeTVqDo/s1600/visione89b.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRE5VM4ogyr2Es19Iqmqp0uE7BaXWtbipuyNpfabR9q-nxb4qTLst9mhvd8sN6YMcT3X2bJ-FyqFmJsFZrRPGtRp1hRUTl7CFTqyZ3kKKpccKv4T7x8MIgq3WFegHltXdZZEn2OeTVqDo/s320/visione89b.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale </span><span style="font-size: large;"># </span><span style="font-size: large;">144</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><i><span style="font-size: small;">installation</span></i></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">offended identity</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDC1gMP1K-RwSagX2zNZseDhQAAKgoKcT3TECWQgUq9A-gLbN_qQdTWQlQtxaOZaBFb48XVyS_D_57tFtQiAxxB3odDXPZk_g2QGGuvPxehhJiisbihQJ80E_qQmW_gK5EO8Ri_EwJsVM/s1600/visione144.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDC1gMP1K-RwSagX2zNZseDhQAAKgoKcT3TECWQgUq9A-gLbN_qQdTWQlQtxaOZaBFb48XVyS_D_57tFtQiAxxB3odDXPZk_g2QGGuvPxehhJiisbihQJ80E_qQmW_gK5EO8Ri_EwJsVM/s320/visione144.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale # 233</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>on stage</i> Paola Bianchi</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">post-morten of the image in a latrine</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiux76U8U3AsG81CynvdixnroRwfZMfrn0OsXpEhSnYzC59j-ufqDN7CjQS0WBv_zxKbqtzdPgK3TMZXNANXU7utsq1J0AJOecRRei-jM7DuUrozh_eyA1Xwh1cK-xH39GbCkWu42Bf62M/s1600/visione233.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiux76U8U3AsG81CynvdixnroRwfZMfrn0OsXpEhSnYzC59j-ufqDN7CjQS0WBv_zxKbqtzdPgK3TMZXNANXU7utsq1J0AJOecRRei-jM7DuUrozh_eyA1Xwh1cK-xH39GbCkWu42Bf62M/s320/visione233.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale # 377</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><i><span style="font-size: small;">installation</span></i></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">crushed image</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">visione irrazionale # 610</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><i><span style="font-size: small;">installation</span></i></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">raped identity</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKnRVMgYipx-MpgRTgB6TdX8c0GR2TLVQHlY-cd3UkfRzWMOX4Cd3AZbb-zFezC3eXuEqHv8SOeQqDcQfAnYProTE8pncucPCX7mKoottRvPpr_PmQ1FCFbyWfjCv5Hhld_ulq_7RShY8/s1600/visione610a.jpg" style="color: #7f7f7f; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKnRVMgYipx-MpgRTgB6TdX8c0GR2TLVQHlY-cd3UkfRzWMOX4Cd3AZbb-zFezC3eXuEqHv8SOeQqDcQfAnYProTE8pncucPCX7mKoottRvPpr_PmQ1FCFbyWfjCv5Hhld_ulq_7RShY8/s320/visione610a.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(255, 255, 255); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(255, 255, 255); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(255, 255, 255); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(255, 255, 255); border-top-style: solid; border-top-width: 1px; border-width: initial; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="320" /></a></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-31088315827849345772011-08-23T06:04:00.004-07:002013-04-06T11:56:14.097-07:00SINESUIDE<span style="font-size: large;">imposizione verticale</span><br />
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<i>by and with</i> Paola Bianchi<br />
<i>thanks to</i> <a href="http://ivanfantini.blogspot.it/">Ivan Fantini</a><br />
<i>production</i> Adius, Agar <br />
<i>collaboration to production</i> Blusuolo <br />
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<i>We are meat, we are potential carcasses. If I go into a butcher’s shop I always think it’s surprising that I wasn’t there instead of the animal.</i> Francis Bacon<br />
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the closed room. <br />
installation of a body forced into a place had on loan. <br />
the white room. <br />
aseptic, tiled room. slaughter house’s working block. <br />
<i>slaughter house’s modernity </i><br />
vacuum.<br />
no gleam of darkness is permitted, no outer air is allowed. <br />
the colour of flesh stands out in the white without injuring the whiteness around. <br />
flesh does not undo, compact, it consents to stay in the structure containing it, the skin.<br />
undergone violence, violence created as a reaction.<br />
viscera’s silent rumour. <br />
<i>slaughtered thing’s modernity. </i><br />
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<a href="http://vimeo.com/38975896">SINESUIDE imposizione verticale</a> from <a href="http://vimeo.com/user10463258">paola bianchi</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-49140781033338960642011-08-20T14:09:00.006-07:002013-04-06T11:59:02.206-07:00ERBARME DICH<i>by and with</i> Paola Bianchi<br />
<i>text</i> Emanuele Tonon – <i>excerpt from</i> Il nemico<br />
<i>voice</i> Paola Bianchi<br />
<i>sound elaboration</i> Fabio Barovero, Paola Bianchi<br />
<i>lighting</i> Paola Bianchi, Chiara Girolomini <br />
<i>photography</i> Valentina Bianchi<br />
<i>production</i> Agar<br />
<i>thanks to</i> Francesco Renzi, Federico Dalpiaz, Francesca Divano, Natalia Zarzecka<br />
<i>thanks to </i><a href="http://ivanfantini.blogspot.it/">Ivan Fantini</a> <i>for the words spoken</i><br />
<i>thanks to</i> Emanuele Tonon <i>for the written words</i> <br />
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<span lang="EN-GB" style="font-family: Verdana; font-size: 10pt; line-height: 115%;">I read about them, I feel them around me - wasted and exhausted bodies, consecrated to the effort. My glance touches them while absorbed by the difficulty of their day, by blasphemy, by their being nothing, by the slowness of their pace. It smells rotten, the vomit foretelling the end. I sense the bare, essential language of those bodies.</span><br />
<span lang="EN-GB" style="font-family: Verdana; font-size: 10pt; line-height: 115%;">And in the given space I invest my body with a continuum of harmoniously sclerotic gestures, with a mute grimace, suspended between revealing and retaining.</span><br />
<span lang="EN-GB" style="font-family: Verdana; font-size: 10pt; line-height: 115%;">A linear dramaturgy has been broken down and recomposed by following an illogical sequence.</span><br />
<span lang="EN-GB" style="font-family: Verdana; font-size: 10pt; line-height: 115%;">A stupendous heresy which raises nothing.</span><br />
<span lang="EN-GB" style="font-family: Verdana; font-size: 10pt; line-height: 115%;">A claim for mercy with no intentions.</span><br />
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<span lang="EN-GB" style="font-family: Verdana; font-size: 10pt; line-height: 115%;">ERBARME DICH develops through the asphyxiation of our constrained everyday life.</span><br />
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<a href="http://vimeo.com/36932011">ERBARME DICH</a> from <a href="http://vimeo.com/user10463258">paola bianchi</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-87991231226852516882011-04-06T08:06:00.000-07:002013-08-15T06:51:53.008-07:00ABSTRIAL<span lang="EN-GB" style="font-family: Arial; font-size: small;"><span style="font-size: large;"><span style="color: #999999;">all streets of the world collapse in our mouths </span></span><i><span style="font-size: small;"><br /></span></i></span><br />
<span lang="EN-GB" style="font-family: Arial; font-size: small;"><i><span style="font-size: small;">concept </span></i><span style="font-size: small;">Paola Bianchi (I), Ivan Fantini (I), Pia Palme (A), Electric Indigo<span style="font-size: small;"> </span>(A)</span><i><span style="font-size: small;"><br />direction <span style="font-size: small;">and </span>coreography </span></i><span style="font-size: small;">Paola Bianchi</span><i><span style="font-size: small;"><br />composition for baritono solo, 3 female voices and contrabass flute </span></i><span style="font-size: small;">Pia Palme</span></span><br />
<span lang="EN-GB" style="font-family: Arial; font-size: small;"><span style="font-size: small;"><i>composition for computer and 10 speakers</i> Electric Indigo</span><i><span style="font-size: small;"><br />text </span></i><span style="font-size: small;">Anne Waldman (USA), Pia Palme, <span style="font-size: small;">Ivan Fan<span style="font-size: small;">tini</span></span></span><i><span style="font-size: small;"><br />installation </span></i><span style="font-size: small;">Ivan Fantini</span><i><span style="font-size: small;"><br />light design </span></i><span style="font-size: small;">Paolo Pollo Rodighiero (I)<br /><i>space design</i> Pia Palme, Paola Bianchi, Ivan Fantini<br /><i>sound design</i> Christina Bauer (A)</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial;"><i>with</i> Paola Bianchi, Pia Palme, Electric Indigo <br /><i>voices</i> Bartolo Musil, Eva Kumpfmuller, Johanna von der Deken, Anna Hauf<br /><i>organization</i> Caroline Profanter</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial;"><span style="font-size: small;"><i>photography</i> Markus Gradwohl</span><br /><br /><i>coproduction</i> Suono, KosmosTheater</span></span><span style="font-size: small;"><span style="font-family: Arial;"><i>with</i> agar, MA 7 Kulturabteilung der Stadt Wien, bmukk Bundesministerium fur Unterricht, Kunst und Kultur, Erste Bank</span></span><br />
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<span lang="EN-GB" style="font-family: Arial; font-size: small;"><span style="font-size: small;"><span style="color: #999999;">ABSTRIAL</span>
is radical contemporary opera with maximum transparency, an ephemeral
presentation of imperturbably continuing processes. Ivan Fantini's
installation made of bread dough and glasses constitutes the ideational
axis for the performances of Paola Bianchi, the two composers who play
live, and the vocalists. Guiding themes are the disintegration of
quotidian values, meanings and fabrics, and consequently arising
structures re-composed by the artists. The gradually changing
installation resulting in falling glasses join with Anne Waldman's text
to create structure and rhythm ruling decomposition and reorganization. <span style="color: #999999;">ABSTRIAL</span> connects the material level directly to contemporary composition, electronic music and text. The made-up word <span style="color: #999999;">ABSTRIAL</span> is consequently a composite of "abstraction" and "material".</span></span><br /><span lang="EN-GB" style="font-family: Arial; font-size: small;"><span style="font-size: small;"><br /><br /><a href="http://paolabianchi.com/">paolabianchi.com</a><br /><a href="http://ivanfantini.blogspot.com/">ivanfantini.blogspot.com</a><br /><a href="http://indigo-inc.at/electrici.html">indigo-inc.at/electrici.html</a><br /><a href="http://piapalme.at/">piapalme.at</a><br /><a href="http://annewaldman.org/">annewaldman.org</a><br /><a href="http://paolopollorodighiero.it/">paolopollorodighiero.it</a><br /><a href="http://bartolomusil.com/">bartolomusil.com</a><br /><a href="http://annaclarehauf.at/">annaclarehauf.at</a><br /><a href="http://styriarte.com/content/view/full/3159">styriarte.com/content/view/full/3159</a><br /><a href="http://landestheater-niederbayern.de/index.php?1236">landestheater-niederbayern.de/index.php?1236</a></span></span><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-20164800390313265292011-03-27T10:09:00.002-07:002012-08-15T04:05:56.283-07:00ARCHIVE<span style="font-size: large;">CESSIONE</span><br />
concept and choreography Paola Bianchi<br />
on stage Valentina Buldrini, Paola Bianchi<br />
lights Paolo Pollo Rodighiero<br />
production Agar, Progetto Interregionale Spazi per la danza contemporanea<br />
thanks to Sala5x10, Santarcangelo Festival<br />
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the sound of silence invades the space<br />
a buzzing as deafening as the silence can be<br />
a figure acts in an EMPTY, BLACK space<br />
another figure doesn’t act<br />
her space is a red space. A RED space<br />
the first figure makes gestures which have been made a long time ago<br />
dead gestures, lost in the darkness of the stages<br />
gestures which must be read again<br />
the other figure is sitting. she shows her back<br />
a lavatory, a loo<br />
the time of the first figure is suspended from past and present<br />
it’s the time of memory, the interpreted and transmitted recollection which is never real<br />
a time which cannot be placed<br />
the place of the other figure is the place of waste, solitary and intimate<br />
the place of the dumb thought<br />
a close, defined space<br />
the first figure tries to make the image live again<br />
the other figure celebrates the sense of the dead image<br />
the first figure makes a route. She passes through years and gestures<br />
the other one stays. she waits. she doesn’t go through<br />
sometimes she outlines<br />
the first figure ends her celebration dance<br />
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A few months ago I decided to digitize the VHS of my old shows, as they were about be demagnetized. They were the only testimonies of my past work. Once transformed into DVDs, those unuseful old tapes couldn’t become garbage. They held death images that needed to be properly buried through a liberating rite. So I started to transform the tapes into a wig. I wanted to give a new sense to all those hours of shooting, to all those gestures lost in the memory of interpreters and of a few attentive spectators. The intimacy of memory immediately suggested me the image of the lavatory, of the toilet, of that place which is frequented by everybody, for a necessity, like memory is. So my way of staying on stage became necessarily connected to the way of staying at the toilet.<br />
In those tapes there’s a lot of gestures. Those gestures, those movements passed through my body, modifing it, deforming it. The same movement that from the head (the place of image in western culture) goes to the end of the back to melt into the nothing.
Cessione is a testament. a way to tell a story without telling, without a story, the story of the many repeated gestures. a biography made of gestures, interpreted by Valentina Buldrini in an axcellent way. I decided to give her the ephemeral and still heavy burden<br />
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a testament<br />
a way to tell a story without telling, without a story, the story of the many repeated gestures.<br />
a declaration of loss.<br />
an autobiography made of gestures.<br />
the real memory stays inside the tapes.<br />
in those useless tapes.<br />
post-mortem in lavatory<br />
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<span style="font-size: large;">PER </span><span style="font-size: large;">FIGURA </span><span style="font-size: large;">SOLA</span><br />
concept and choreography Paola Bianchi<br />
on stage Valentina Buldrini<br />
sound concept Fabio Barovero<br />
lighting design Paolo Pollo Rodighiero<br />
press and organization Francesca Divano<br />
production Agar<br />
in coproduction with Marco Bianchi, Campo Campi, Luciano Nicolini, Benito Bianchi, Piero Bona, Bruno Monaco, Giancarlo Giorgi, Riccardo Nicchi, Zutart, Città di Ebla, Laura Gobbi, KosmosTheater, Ivan Fantini<br />
with the support of Santarcangelo Festival and Teatro Petrella di Longiano<br />
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an empty space | on the floor a layout, signs delimiting the space of the action, indicating the direction.<br />
a notes paper traced on stage | an obliged, decided route.<br />
an only figure on stage | for her I created the performance<br />
for that solitary and disoriented figure, who comes in and goes out the stage thus remaining on stage.<br />
her being there in front of us becomes sometimes exposed, sometimes inposed - an ex and an in that alternate like the most natural act we accomplish in every moment, breathing. <br />
a work about the staying on stage.<br />
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PER FIGURA SOLA’S ROUTE<br />
I have been working for two years on the Fibonacci’s series and the golden section. <br />
I showed in public my notes through performances and installations. I called them visioni irrazionali (irrational visions). I named them following the Fibonacci’s series. <br />
an irrational approach, sometimes impossible to tell – as the golden number is.<br />
the visioni irrazionali have been the material used in order to carry out PER FIGURA SOLA. they weren’t a “study for”. they were and will be like notes performed on stage instead of written notes on my notebook.<br />
then, when I started working on the theoretical part of PER FIGURA SOLA, which represents the conclusive step of this long project, I have been working by subtraction, I started to take off. I wanted to reach the essential. <br />
just some signs on the floor remain. <br />
the internal counts of the choreography remain.<br />
the golden rectangle remains, a golden cage made by our own hands. if at Leonardo da Vinci’s Uomo Vitruviano period man was the measure of everything, now things have become the measure to which man has to be adapted to.<br />
among the several performers inhabiting my visions, only one remains, an only figure.<br />
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PER FIGURA SOLA talks about pretence. of being something without being that thing.<br />
it talks about transformations, of attempts of transformations. a work about space, with no way out, sterile. <br />
an irrational route. a laboratory with a cavy.<br />
a study about staying, alone, on stage | there’s no more solitary place than the stage | it’s the place of measure<br />
there is staying on before | there is an unarmed, ready, disposable, open being<br />
there is the desire, the attempt to be “other”, “different”<br />
there is a series of attempts, already decided, already drawn<br />
there is no fatalism | there is a plan, a design, a route, an obliged trajectory<br />
a sense of constant NAUSEA, a clear perception about our STAYING, HERE, NOW<br />
precise erasing | organic flatting<br />
there is no story<br />
I cannot modify the trajectory, but the inside o the square | there is a layout<br />
it is the game of goose<br />
there is no exit<br />
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<span style="font-size: large;">Homós<br />
apologia dell’enantíos</span><br />
workshop with final performance<br />
teacher Paola Bianchi <br />
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Homós (greek) equal<br />
Enantíos (greek) opposite<br />
The representation of the equal to the defence of the opposite.<br />
The equal is shown in order to exalt the singularity of the opposite.<br />
Homós is the encounter between the two projects that Ihave been developing since 2004, Odissea dell’immobilità (Odissey of stillness) and Come Conigli (Like Rabbits). <br />
The idea of developing a project about cultural clonation was born from the project Odissea dell’immobilità which was made by steps. Cultural clonation, production/construction of human beings having the same desires, thoughts, interests, taste. A reflection about homologation as the evil consequence of a wild globalization and at the same time the cause of it.<br />
From the project Come Conigli came the idea of serial and numerical repetition of actions, the use of space in which the performance will take place, the number of the performers.<br />
Are we now unable to let energies and desires flow, or are we unconsciously manipulated?<br />
Do we need to be manipulated because we are no more able to act?<br />
Or do we let that all this happens without any kind of consciuousness?<br />
We are going towards what I call “annulment of personality” without any decency. It is necessarily bound to the incapacity of choice. The pressure made by the means of information takes to irrationality: the desappearing of any true competence, the continuous technological renewal, the fusion between State and Economy, the widespread secret, the unquestionable false (with the consequent desappearing of public opinion), the eternal present (annulment of historical conscience).<br />
We are flesh for television, unconscious victims of ipnopedia.<br />
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Homós foresees a workshop and a final performance.<br />
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<span style="font-size: large;">Corpus Hominis</span><br />
concept and choreography Paola Bianchi <br />
on stage Alessandro Bedosti, Piero Leccese, Matteo Garattoni<br />
sound concept Fabio Barovero<br />
lighting design Fabio Sajiz<br />
press and organization Francesca Divano<br />
production Agar, Torinodanza, centrale FIES<br />
collaboration to production Città di Ebla<br />
thanks to Cango Cantieri Goldonetta, l’arboreto, Raum, Blusuolo centro arti performative, Cristina Riccati, Silvia Parlagreco, Ivan Fantini<br />
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<i>We represent the age of minimum reason and maximum destruction.</i><br />
Ulrich Beck<br />
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This work comes from a consideration of the body as a place where the relationships of domination and subordination are registered. I will not reveal the power, but rather the victim, a victim of itself, of obsessive, daily self care: the body.<br />
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bodies, alone, spectators of the world<br />
bodies without body<br />
WILL YOU HELP ME?<br />
bodies dissociated in organs, relatively passive physiological material<br />
bodies medicalized<br />
bodies that disappear, that fall apart with vibration<br />
FIRST FUGUE<br />
bodies measured and exhibited, tidy and clean in the beauty of their appearance<br />
bodies celebrated<br />
bodies subjected to practice, preparation, civilization, education, conversion, bodies<br />
trained, disciplined, flexible, malleable,<br />
docile bodies, written surfaces, branded by the wording of the law<br />
SECOND FUGUE<br />
bodies punished, standardized, corrected, colonized, validated<br />
bodies massed in solitude<br />
bodies in-formed, regulated<br />
bodies like “things”, catatonic<br />
plastic bodies<br />
bodies-goods<br />
angels that fall to Hell, the damned who descend to Hades<br />
THE NECESSARY SURRENDER<br />
“everything could be different, but I can change almost nothing”<br />
brain death as a necessary and sufficient criterion for diagnosing the death of an individual<br />
superiority of the encephalon<br />
intimacy publicly exhibited and thus denied<br />
victim/executioner - the roles get confused<br />
material bodies that remain<br />
civilization’s disabled<br />
NOTHINGNESS<br />
STAGNATION<br />
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In what is defined as a somatic society, epistemological, ethical and aesthetic technologies discipline, adorn, punish, celebrate the body.<br />
Every society talks about bodies, moulds them, orientates them, marks them, reduces them to reason.<br />
STYLES OF FLESH<br />
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<span style="font-size: large;">Odyssey of stillness</span><br />
project of creation by steps<br />
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The standing journey. The escape that doesn’t find the way. Standing motion, the energy self-generates, self-nourishes and flows inside.<br />
Perfect / imperfect. Contraddiction of oxymorus.<br />
The initial impulse for this project is "The notebook, the proof, the third lie: three novels" by Agota Kristof, but my research has gone beyond Kristof’s novel, individuating some themes of interest:<br />
symbiotic being twins / excellent couple / indivisibility of the double / unstable equilibrium <br />
siamese being twins / freaks / eye-spy <br />
division / separation<br />
multiplication / clonation / omologation<br />
cryptophasy<br />
excercises to strenghthen the mind through physical work / repetition /<br />
perfection / overcoming our limits.<br />
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These themes, amenable to some variations, will be faced separately (one by one) and/or uniformly, generating some steps showed to the audience. Each step will have a different title and modality of intervention: video installations, sound installations, performances.<br />
<i><br />
odissea dell’immobilità # 0 HaccaH</i> - a performance for children from 3 to 5 years old, in which we worked around symbiotic being twins / excellent couple / indivisibility of the double / unstable equilibrium / necessary separation (début: March 2004, festival Meli Mome, Reims, France)<br />
<i>odissea dell’immobilità # 1 Monocore </i>- hinged on siamese being twins / freaks / eye-spy / cryptophasy (preview: September 2004, festival Carte blanche à Perceuse, Lausanne; début: October 2004, festival Torinodanza Focus 6 Cantieri Italiani, Torino). <br />
<i>odissea dell’immobilità # 2 Double-face</i> - first study’s phase on staying. An installation of two bodies in a shop-window. (May 2005, festival Interplay Focus 8, Torino)<br />
<i>odissea dell’immobilità # 3 Kytos – in potere</i> - (September 2005, Festival Crisalide, Forlì)<br />
<i>odissea dell’immobilità # 4 Chrónoshomo</i> - a step dedicated to repetition / perfection / overcoming our limits. (July 2006 Drodesera>Centrale Fies)<br />
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<span style="font-size: large;">Chrónoshomo
odissea dell'immobilità # 4</span><br />
<span style="font-size: large;">odissey of stillness # 4</span><br />
<span style="font-size: large;">private exercises on pubblic release</span><br />
by Paola Bianchi
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on stage Alessandro Bedosti, Matteo Bologna, Matteo Garattoni<br />
management Chiara Gallazzi
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production Agar, Torinodanza, Drodesera>Centrale Fies<br />
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Chrónoshomo, the machine man time.
the body as a complultion machine.
anatomy laboratory. the body compete with itself.
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There is no expression will, no communication will.
the body work force dance in the immobility, in the tension variation, in the forced slowness, in the unremitting repetition.
search the perfection in the body imperfection.
exposition of the study, of the daily training, of the private physical work, individual.
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In the word chrónoshomo, both Greek and Latin, I like the assonance with the Italian cromosoma (chromosome), the place where there are the hereditary gene, at the same way these exercises gave rise to my body study, as a sorte of movement genetic map.
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<span style="font-size: large;">Kytos _ in potere</span><br />
<span style="font-size: large;">odissea dell’immobilità # 3</span><br />
odissey of stillness # 3<br />
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concept and choreography Paola Bianchi <br />
sound concept Alessandro Bartolucci, Paola Bianchi <br />
scenography by Renato Ostorero <br />
on stage Paola Bianchi <br />
organization Francesca Divano <br />
production Agar, Festival Crisalide, l’arboreto di Mondaino, Città di Ebla<br />
thanks Controluce, Yann Gioria, Francesco Renzi<br />
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# 3<br />
Kytos cell<br />
in potere translation from ancient locution with german origin “à bandon”, from which the French “abandonner” comes, from which the Italian “abbandonare” comes.<br />
Division/separation/abandonment/leaving<br />
Uselessness of the individual, left out of the relation between him and the external world.<br />
A reduced, restricted field of action.<br />
Separated, lonely, broken up cell.<br />
Protection/exposition.<br />
Motion/stillness.<br />
Action/emptiness.<br />
Two halves cages.<br />
Two separated halves presuppose a unity.<br />
Two twins halves presuppose an identity.<br />
There’s no unity.<br />
There’s no identity.<br />
Kytos goes toward the nothing, toward the unpersonality because of unlessness.<br />
There’s no possibility of change: the figure can be action or glance, show or spectator.<br />
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<span style="font-size: large;">MONOCORE</span><br />
<span style="font-size: large;">odyssey of stillness #1</span><br />
concept and choreography Paola Bianchi <br />
on stage Paola Chiama, Paola Bianchi <br />
sound concept Yann Gioria <br />
lighting design Daniel Demont <br />
scenography by Renato Ostorero <br />
organisation Alessandra Simeoni<br />
production Torinodanza, Perceuse Productions, Arsenic, Agar <br />
collaboration to production Blusuolo, Santarcangelo dei Teatri<br />
thanks Luca Scarlini, Mauro Genugu, Katjuscia Fantini, Cédric Bach – Grand Garage du Nord, Ivan Fantini<br />
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#1<br />
Monochorial - said of each monozygotic twin developing in a common chorionic sac. <br />
Monocore - one heart.<br />
A cage. Within the cage, two living beings. Two in one. A mundus bifrons, dialogic, dual. Constriction of an entirety. A cumbersome human anomaly.<br />
A wake-walker, victim of an excess of presence. Internal hysteria. The strolling somnambulist no longer asleep. Hysterical reality of two in one. <br />
Equilibrium alone can save them.<br />
boustrophedonic script <br />
the place is an operative field<br />
coupling force / separation force<br />
there is neither beginning, nor end<br />
centripetal energy<br />
I want to change my shape<br />
I feel like an accident<br />
One is born alone, one dies alone<br />
Are we an exception? <br />
Despair and anxiety are mingled with cursing, laughing, mocking, the ridiculous. Depravity, a morbid glance.<br />
Eye/spy. Participative sensory attraction. Reluctant, yet fascinated.<br />
A porno stare. <br />
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<span style="font-size: large;">in bianco</span><br />
<span style="font-size: large;">volo nuziale senza ali</span><br />
wedding flight without wings<br />
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forced icon Paola Bianchi<br />
sound elaboration Roberto Cecchetto<br />
scenography Valeria Di Munno, Cristina Gallo Bruno, Erica Moscon, Sandra Pavic, Oscar Racca, Paola Silvestro, Elisa Stroppiana - Accademia Albertina Belle Arti,To Corso Scenografia E.Ajani & G.Costagliola<br />
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exposition. naked immobility of memory. certainty of “no more”. always the same story. everything has to reach rock bottom to be realized. she stays, motionless. she waits. if you’re waiting you are the wait. human being is the wait. what is he waiting? then go away. leave the reliquary, leave butcher’ shop of memories. show your broken wings.<br />
I DON’T LIKE HIM, LET’S KILL HIM<br />
who are you speaking about? forced icon. your actions are shattering. you’re plucked like a chicken. small deaths distorted by keeping attempts.<br />
you have an erection and this place is full of it. misfortune. who did say the two most common images are cross and cock? do you want her to be silent and dressed? a madonna crowned queen inside the drawer of your bedside table?<br />
THAT’S ALL FOLKS!!<br />
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<span style="font-size: large;">figura umana</span><br />
<span style="font-size: large;">teatri anatomici di Francis Bacon</span><br />
human figure - anatomical theatres of Francis Bacon<br />
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concept and choreography Paola Bianchi<br />
staging Paola Chiama, Paola Bianchi<br />
lights Paolo Pollo Rodighiero<br />
musical selection Lucio Spaziante<br />
production Il Mutamento ZC di cultura globale, Montenegrian Mobile Arts, Agar<br />
collaboration to production Santarcangelo dei Teatri<br />
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<i>I Tiresias, though blind throbbing between two lives,<br />
old man with wrinkled female breasts...</i><br />
T.S. Eliot The Waste Land <br />
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Lonesome and forlorn in empty, perverted space, here’s the body. both victim and slaughterer. prisoner and gaoler. motionless in an endless fight. flesh ripped open from inside. crucified, nailed down carcass. «The stink of human blood delights me» howl Eschilo’s Furies. <br />
FLESH MEAT<br />
where is the orifice, then, through which a body can escape? hole opened up. a silent howl. penetrating force of male sex against engulfing power of female.<br />
EMERGENCY POSTURES<br />
here an inner battle begins, a war which is lost even before it’s waged, fought with equal weapons between stillness and motion, fought for survival, for thwarted desires, with blinding brutality.<br />
MIRTH IN THE DEPTHS<br />
cheerful despair of beastly human disfigurement<br />
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enclosed in a fighting ground the exhibited body stands, to be «done», penetrated, looked at – spied upon in its privacy by perversion’s greedy eyes, both healthy and maimed, torn into pieces, the male body becoming female as it is made the object of a pornographic stare.<br />
and like Tiresias, though blind, we are witness, throbbing between two lives, old men with wrinkled female breasts. <br />
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<span style="font-size: large;">FreaK</span><br />
living icon Paola Bianchi<br />
video Elena Pachner Sarno<br />
lighting and sound Paolo Pollo Rodighiero<br />
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<i>Before I fell asleep, I felt the weight of my fists at the end of my light arms.</i><br />
Franz Kafka<br />
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The icon dances. It's her rotten dance that continues and runs on. Estas son mis venas. The soul of the red remains suspended between flesh and heaven, between the fertile earth and the clotted blood of an open wound that does not bleed. A rope that does not break. Esto es mi cuerpo. Elastic stretched between the body and the dead image. Something that has already been done and is repeated live, as only the theatre knows how. Where does the fiction end? Silence. The mirror. A wounded body, displayed in its intimate deformation, a living yet mortal icon, an antithesis. The icon dances. She demonstrates. Her monsters.<br />
Is it too heavy, too dark? FreaK, be free.<br />
<br />
FK, a physical theatre production by Agar, was inspired by the life and works of the Mexican artist Frida Kahlo. FreaK is a reworking of the production, a show in which video image and movement merge together: the video is at times an indiscreet eye, constantly spying for details, at times an interpretative reinforcement.<br />
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<span style="font-size: large;">FK</span><br />
concept and choreography Paola Bianchi<br />
staging Paola Chiama, Paola Bianchi<br />
voice Virginia Levy Abulafia<br />
lights Paolo Pollo Rodighiero<br />
costumes Roberta Vacchetta, Elena Gaudio<br />
sound processing Nicola Zonca<br />
mexican traditional music<br />
thanks to: Teatro di Leo – Spazio della memoria, Teatro Dada di Castelfranco Emilia, Teatro Comunale di Cagli.<br />
<br />
<i>Whoever built a new Paradise<br />
found the strength to do so in his own Hell. </i><br />
Friedrich Nietzsche <br />
<br />
Born with the Revolution, Frida Kahlo both reflects and transcends this main feature of 20th Century Mexico. It is reflected in her images of suffering, blood-shedding, loss, maiming, but also in images of humor, gaiety, alegrìa, which were so important in her tormented life.<br />
A happy, proud child, a sufferer from polio and from the typical Mexican habit of making fun of others, especially if disabled, non perfect. Handsome little Frida with German, Hungarian and Mexican blood, she became all of a sudden board-legged Frida, Frida pata de palo. Screams from forbidden playgrounds must have haunted her through her whole life.<br />
In September 1925 a tram-car crashed against the tiny car in which she was travelling, breaking her spine and ribs; breaking the already hurt leg in 11 places. Her right shoulder remained forever dislodged, one foot was smashed. A handrail went through her back, coming out from her vagina. At the same time, the accident left Frida naked and bleeding, but covered with golden dust.<br />
Like no other artist in our tortured century, Frida Kahlo translated her suffering into art. She underwent 32 operations, from her accident to the day of her Death. Her biography consists in 29 years of pain. From 1944 on she was forced to wear 8 corsets. In 1953 her gangrenous leg was amputated. Her hurt back sets forth a secretion that “stinks like a dead dog”. She is hung, naked, head down, by her feet, in order to set her spine straight. She loses her unborn children in bloody floods. She is forever surrounded by clots, bandages, needles, scalpels. She is Mexico’s Saint Sebastian, and covered with arrows. She tragically incarnates Plato’s cruel description: our bodies are tombs, in which we are kept prisoners like oysters in their shell.<br />
<br />
“I paint myself because I’m alone. I’m the subject I know best”. Not a painter of dreams, she would say, but a painter of her own reality. Yet Frida Kahlo still is the most powerful proof that what the French Surrealists had defiantly stated has always been commonplace in Mexico and Latin America, a part of its culture, a spontaneous mixing of facts and Myth, dreams and wake, reason and imagination.<br />
Frida Kahlo usually said that she had undergone two accidents in her life, the tram crash and Diego Rivera. No one could doubt her love for him. He was not faithful. She would scold him: how could he make love to women which were inferior to him, to herself? He admitted: “The more I loved her, the more I wished to hurt her”. She with her own many lovers, male and female. He could stand Frida’s women lovers, but not the men. She absorbed anything in her almost pantheistic way of loving him: “Diego principio - Diego constructor - Diego mi niño - Diego mi novio - Diego pintor - Diego mi amante - Diego mi esposo - Diego mi amigo - Diego mi madre - Diego mi padre - Diego mi hijo - Diego = yo - Diego universo”.<br />
With Diego she shared her love for and faithfulness to Communism. Marx, Lenin and Stalin appeared in Rivera’s pictures quite as often as Christ, the Virgin and the Saints appear in the Catholic ex-voto which deeply influenced Frida’s painting. Yet in Frida’s political opinions there was more than that: she was a pantheist by instinct, a woman and an artist involved in the glory of universal celebration, an explorer in the intertwining of all things, a priestess celebrating the holiness of all things created.<br />
There is a sense of humor in Kahlo transcending both politics and esthetics, and life’s own chords. Her voice, as every one who knew her tell us, was deep, riotous, broken by caracajadas, laughs, and by leperadas, foul speech. Her very attire was humor, a great disguise, a form of theatrical self eroticism, self enchanted, but at the same time defying her onlookers to imagine her sufferings, the naked body underneath, to discover its secrets.<br />
Death came to her in Mexico, from Mexico, on the 13th July 1954. Unlike Europe, Death in Mexico is considered an origin. It is from Death we descend.; therefore we are all Death’s children. Without the dead, we would not be here, we would not be alive. Death is our companion. Frida was talented enough to cheat Death, by using her linguistic prowess to describe it: la Pelona, la Chingada, la Mera Dientona.<br />
<br />
While it is inspired by Mexican painter Frida Kahlo, FK tells not the story of her life, nor does it transpose her pictures for theatre. Rather, it means to give a deep look into her desires and fears, her eternal ambivalence between glorification of life and fascination for death, denied motherhood and wish to give birth, beginning and end. Her painting tells the story of a body exposing itself, giving a feeling of anguish and excitation. She exposes her body just like martyrs did in Christian religious iconography. Paintings of a body, exhibitionistic painting: but isn’t our body here to be exposed? If not, then why should one write, paint or dance? Our wish to be seen, to be looked at, is as primary as our need to live. Her violated, tortured body, her capacity to survive, creativity, vitality, all constitute themes for her work: our means of artistic expression.<br />
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<span style="font-size: large;">FLATUS, UN CANTO DA</span><br />
score for two dancers and music<br />
<br />
choreography Paola Bianchi<br />
drama Giovanna Fiorenza<br />
on stage Paola Chiama, Paola Bianchi<br />
original music Ezio Bosso<br />
lights Paolo Pollo Rodighiero<br />
costumes Osvaldo Montalbano<br />
<br />
Lagers, jails, mental hospitals. Different evidences, similar in their tragical way of beeing. Our work began this way, looking at the inner nature of tales and images.<br />
The drama is an essential narration. It's night: inside a room, there is only a camp-bed, and a drop falls regurarly and persistently. Two women, their nightmares, their frights, the torture-moment, the waiting, the help, the paly; and then again torture, waiting, help, till the hope expressed in a stronger and more determined cry which can prevent suffocation.<br />
Anyway, afterwards we went away from the realism of the story to discover its essence and try to translate emotions into "theatre".<br />
During the work, we became aware that the different ways of expression pervaded one another in one single score for four instruments: two bodies, music and light; therefore no more music to accompany movements, no more gesture coming out of sound, no more light to colour the bodies, but an unique composition in which the interaction of the instruments is complete to give and narrate the emotion.<br />
As in a quartet, the movements of the soloists fit one other, to create an unique melody and pure armony.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7689982227745955939.post-20086142704848640762010-10-12T03:50:00.000-07:002013-07-03T07:58:58.802-07:00adius utòpia<i>concept</i> ivan fantini<br />
<i>choreography</i> paola bianchi<br />
<i>installations</i> ivan fantini<br />
<i>on stage</i> paola bianchi<br />
<i>first video</i>: film by serena saltarelli, editing by paola bianchi <br />
<i>second video</i> paola bianchi and ivan fantini<br />
<i>production</i> adius, agar<br />
<i>in collaboration with</i> blusuolo III<br />
2002 | 2012<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHvroGSgkH68evdiZIRZbsV-bIAnZy5Ld2STibbsisKjprCZ1GV8FqxLsS4efS-XL5BHiMfAPXCSsJHhpDZOnHfWDjxBg6kQ2B3ayas4nj_zdUy_6xzKIPT4aN3_Y9hHF-M-BJQTqqO90s/s525/IMG_0839b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHvroGSgkH68evdiZIRZbsV-bIAnZy5Ld2STibbsisKjprCZ1GV8FqxLsS4efS-XL5BHiMfAPXCSsJHhpDZOnHfWDjxBg6kQ2B3ayas4nj_zdUy_6xzKIPT4aN3_Y9hHF-M-BJQTqqO90s/s320/IMG_0839b.jpg" width="320" /></a></div>
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<i>… and we that are free beings,<br />
one cycle we are slaughtered,<br />
one cycle we are butchers</i><br />
G. L. Ferretti<br />
<br />
<div style="text-align: justify;">
adius utòpia is an installation of the intervention aimed at affirming
the truth of the act enjoyed by and/or deniable to the individual; it
is an aesthetic of the irruption which unhinges the everyday habit
through reality; it is contamination of the disciplines aimed at
widening the horizons in thinking/creating of an artistic act and the
individual as an artist; it is the fifth-fourth on the stage with no
false moralisms as ransom of tradition and creativity opposite to
waste, incarnated with the value of a status symbol and perpetuated by
the new economy. Terpsichore and Gasterea broadening creations,
impossible to repeat and lost forever. </div>
<div style="text-align: justify;">
The fifth/forth originating adius utòpia includes head, tail, trotter,
and all the pig’s entrails, sum of some proteins often ignored,
condemned and refused proteins in the name of the absurd prejudice
called disgust.</div>
<div style="text-align: justify;">
adius utòpia exalts and valorises all that is remaining of a
slaughtered swine, when you have cut off his four fourth. The
fifth-fourth, called inferior butcher’s cut, cheap, able to satisfy
alimentary necessities for everybody, becomes, for society with
advanced economy, a secondary product and it supports the economical
increase of first-quality cuts.</div>
<div style="text-align: justify;">
adius utòpia doesn’t support alimentary by-products, canners’
enrichment of food for dogs and cats, consumism and deviated
alimentary habits.</div>
<div style="text-align: justify;">
On the contrary it exalts tradition, when tradition creates (invents?) creativity. Ancient intuitions, memory, cultural values.</div>
<div style="text-align: justify;">
In adius utòpia the fifth-fourth’s stage-scenary is intertwined with
the human slaughter house, as an aseptic, antiseptic, claustrophobic
place, where every day human beings find it hard to live.</div>
<div style="text-align: justify;">
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<br />Unknownnoreply@blogger.com